I had the pleasure of covering the Royal Scottish National Orchestra’s latest concert in Edinburgh, which featured two guest artists in remarkable sync:
Although the most recent work on this weekend’s Royal Scottish National Orchestra programme dates from 1952, audiences are still just beginning to make its acquaintance. The ongoing reappraisal of the twentieth-century African American composer Florence Price would not be possible without the contributions of performers who have championed her music….
Filed under: Aaron Copland, conductors, Florence Price, review, Sibelius, violinists
MEMETERIA by Thomas May 