Here’s the essay I wrote for the Cleveland Orchestra’s program this week featuring guest conductor and composer Thomas Adès:
Among the preeminent composers of our era, Thomas Adès has likened the practice of creating art — whether music, literature, or painting — to fashioning “a simulacrum of the real world, a reflection”…
Filed under: Charles Ives, conductors, program notes, Saariaho, Sibelius, Thomas Adès
MEMETERIA by Thomas May 