I covered Sunday’s opening concert for Bachtrack:
The Seattle Chamber Music Society has not only emerged from the pandemic slump stronger than ever but seems to have hit on a golden formula. The opening concert of its month-long 2025 Summer Festival attracted a devoted audience to fill downtown’s 536-seat Nordstrom Recital Hall to near capacity – even before the concert officially began…
Filed under: Fanny Mendelssohn, James Ehnes, Mendelssohn, review, Seattle Chamber Music Society
MEMETERIA by Thomas May 