MEMETERIA by Thomas May

Music & the Arts

Interviewing Sam Harris

Sam Harris

I ran into this old interview I did years ago with the brilliant and hugely controversial neuroscientist, philosopher, and gadfly thinker Sam Harris.

It’s actually a decade old, from when I was still an editor at Amazon (and when Amazon was, let’s just say, a very different place). The subject was the first book by the prolific Mr. Harris, The End of Faith, which went on to win the 2005 PENN Award for Nonfiction.

Interview with Sam Harris: The Mortal Dangers of Religious Faith
Not long before the birth of Christ, in an age of violence and turmoil, the Roman poet and Epicurean philosopher Lucretius wrote an epic masterpiece titled De Rerum Natura (“On the Nature of Things”). His goal, in part, was to liberate humankind from the religious superstitions that he believed stood in the way of true peace of mind and happiness.

Author Sam Harris plays the role of a contemporary Lucretius in his book The End of Faith: Religion, Terror, and the Future of Reason. Harris received a degree in philosophy from Stanford University and is a doctoral candidate in the field of neuroscience.

Well aware that a book about the inherent dangers of institutional, dogmatic religion would court controversy, Harris wrote The End of Faith out of a sense of urgency regarding what he argues constitutes perhaps the greatest threat we face today. He shared his thoughts about the character of dogmatic faith versus mysticism, the role of reason in civil discourse, and the hope that humans can overcome the propensity toward religious violence before it’s too late.

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Filed under: book recs, interview, philosophy, religion

Love and War: Partenope

Just to whet your appetite: a snippet from this deliciously sophisticated Handel comedy.

I’ll post my new essay on Handel’s Partenope as soon as San Francisco Opera publishes it. The production, which took the Olivier Award for Best Opera when it premiered at English National Opera, is directed by Christopher Alden, and I had a chance to spend time with him as he was rehearsing the SFO cast (a dream cast, I might add).

Filed under: directors, Handel, San Francisco Opera

Built-In Beauty

The Seattle Architecture Foundation’s new season has begun. Current tour schedules listed at http://seattlearchitecture.org/tours

Thomas May's avatarMEMETERIA by Thomas May

Photo by Monique Blanchard Photo by Monique Blanchard

My latest piece for City Arts :

The Smith Tower celebrated its 100th birthday earlier this month, and to mark the architectural anniversary visitors were able to enjoy the Tower’s Chinese Room and the vistas from the Observation Deck for the original admission price collected in 1914—a budget-busting 25 cents.

Of course, Smith Tower is always just “there,” part of the ever-present scenery of daily life in downtown Seattle. Maybe on your checklist of show-off-the-city items for visitors. But try for a moment to ignore the familiarity of icons like this.

Because architecture is so integrated into our everyday patterns, it’s easy to take the urban landscape for granted—buildings, facades, interiors, walkways, skylines—yet at the same time they profoundly influence the way we experience those everyday patterns, at however unconscious a level.

It’s the mission of the Seattle Architecture Foundation (SAF) to “awaken people to these…

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Filed under: Uncategorized

St. Lawrence String Quartet at 25

SLSQ

One of my favorite string quartets is celebrating its 25th anniversary with a typical overdrive of crative activity. Here’s my recent portrait of the St. Lawrence for Stanford Arts:

“It’s a great time both to be playing in a string quartet and to be writing string quartets,” remarks Geoff Nuttall, first violinist and cofounder of the St. Lawrence String Quartet (SLSQ). He’s thrilled about how both pursuits—those of the recreative performing artist and of the composer who creates from scratch—will be fused in three distinctive ways during the course of the SLSQ’s upcoming season at Bing Concert Hall.

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Filed under: chamber music, commissions, John Adams, string quartet

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