Nicholas Phan
New Bachtrack review:
The second week of the Seattle Chamber Music Society’s month-long Summer Festival concluded with a programme that – as the two earlier concerts that week had similarly done – expanded perceptions of the notion of chamber music itself by including works that cross over the instrumental divide and call for voice.
Filed under: Britten, chamber music, James Ehnes, review, Seattle Chamber Music Society, Strauss
MEMETERIA by Thomas May 