The enigmatic-looking album title 17(67) pairs a fragment of internet slang with the year in which Tommy Mesa’s Nicolò Gagliano cello was made. Recorded with pianist Yoon Lee, the album places that rare instrument in dialogue with music shaped by different eras, traditions and cultural contexts. continue
Gabriella Smith recording “Lost Coast” with cellist Gabriel Cabezas at Greenhouse Studios in Iceland. (Sandro Manzon)
Here’s my Seattle Timesprofile of the remarkable young composer Gabriella Smith. This week’s Seattle Symphony concerts will feature her innovative cello concerto Lost Coast, with Gabriel Cabezas as the soloist:
Her official bio reads like a manifesto: “Gabriella Smith is a composer whose work invites listeners to find joy in climate action.” The 33-year-old has built a creative world around that idea — one where music and environmentalism are inseparable…
As Arvo Pärt turns 90, British cellist Matthew Barley speaks about creating ’Touching Eternity’, a candlelit program that weaves Bach, Pärt and Tavener into a shared ritual of sound and silence.
I had the privilege of speaking with the unclassifiable musical phenomenon Abel Selaocoe for this month’s Strings magazine cover story.
Any attempt to label Abel Selaocoe’s artistry is bound to fall short. While many of today’s young musicians defy easy categorization, Selaocoe ventures even further into uncharted realms. His expansive philosophy of communication views the cello as the extension of a larger voice—a storytelling device to navigate multiple dimensions of identity and community. Selaocoe uses his cello in tandem with singing, improvisation, body percussion, and ensemble energy to amplify a fundamental impulse to express, to connect, to belong. continue
For The Strad, I interviewed San Francisco Symphony principal cellist Rainer Eudeikis about his upcoming performances of the Cello Concerto by his orchestra’s music director, Esa-Pekka Salonen:
Now in his third full season as the San Francisco Symphony’s principal cello, Rainer Eudeikis makes his solo debut with the orchestra on 18-20 October in a work by the orchestra’s music director, Esa-Pekka Salonen: the Cello Concerto written by the Finnish composer-conductor for Yo-Yo Ma, who gave the world premiere in 2017. …
Ani Aznavoorian and Jean-Efflam Bavouzet at Seattle Chamber Music Society’s Summer Festival; photo (c) Carlin Ma
A new post for The Strad on this month’s just-concluded Summer Festival presented by Seattle Chamber Music Society:
With its roster of several dozen internationally prominent musicians, the just-concluded 2024 edition of the Summer Festival presented by the Seattle Chamber Music Society involved a de facto summit of priceless string instruments in action….
Congratulations to cellist Zlatomir Fung, Musica; America’s New Artist focus for November. I had the pleasure of hearing his New York Philharmonic debut last summer at the Bravo! Vail Festival. Here’s my profile:
Competing with nature’s own surround-sound orchestra, open-air performances aren’t the optimal context in which a soloist can shine. But Zlatomir Fung kept me riveted at this past summer’s Bravo! Vail Festival, eager not to miss a single nuance from the moment…