MEMETERIA by Thomas May

Music & the Arts

Wall-to-Wall Reich at The Hallé

Colin Currie; © Marco Borggreve

In my interview for Bachtrack, Colin Currie discusses the large-scale Steve Reich Festival he has organized with The Hallé (running 1-3 February 2024):

Colin Currie vividly recalls the moment he first met Steve Reich in person. The occasion was a concert at London’s Southbank Centre in 2011 featuring Reich’s landmark early work Drumming (1970–71), in a performance by Currie’s own ensemble. Though he had previously received encouragement from Reich, this was the first time that the eminent American composer’s gruelling schedule made it possible for him to hear the Colin Currie Group live….

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Filed under: concert programming, percussion, Steve Reich

Steve Reich: Jacob’s Ladder

This birthday week for Steve Reich also brings his latest world premiere. I had the honor of writing the program note for Jacob’s Ladder. The New York Philharmonic and Synergy Vocals will perform the new work at this week’s concerts, which also include Leif Ove Andsnes in Beethoven’s “Emperor” Concerto and Schubert’s “Unfinished” Symphony. (Notes can be accessed via link next to program listing here.)

Filed under: commissions, music news, New York Philharmonic, Steve Reich

A Reich Premiere and Mahler Recharged at the Los Angeles Philharmonic

Suzanna-Malkki-2-1920x1280

It’s been a bracing week of the non-routine in Los Angeles: Philip Glass’s Satyagraha at LA Opera and, from the Los Angeles Philharmonic, John Cage’s Europeras 1 & 2 (with Yuval Sharon’s The Industry) and Susanna Mälkki’s first program of the season. Here’s my review of the Mälkki concert for Musical America:


LOS ANGELES–This past weekend’s program by the Los Angeles Philharmonic was both a newsworthy event and a rousing artistic triumph. Newsworthy because it offered the world premiere of the first composition Steve Reich has written for a full orchestra in more than three decades. And with Susanna Mälkki on the podium, the entire concert on Friday night (November 2) made the concept of a modern symphony orchestra itself feel vitally relevant. Juxtaposed against the pleasures of Reich’s exquisitely crafted piece, a familiar Mahler symphony–the Fifth–was transformed into a revelatory experience.

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Filed under: Los Angeles Philharmonic, Mahler, review, Steve Reich

Generations Ahead: Steve Reich

My latest feature for STRINGS magazine is now online:

Composer Steve Reich’s Three Generations series will illustrate the sea change in compositional language ventured by Reich and his peers and carried forward by younger generations

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Filed under: programming, Steve Reich, Strings

Miller Theatre’s Salute to Steve Reich

Tomorrow’s sold-out concert at Columbia University’s Miller Theatre opens the season with a focus on Steve Reich.

The program includes two somewhat lesser-known works, both variations: Daniel Variations and You Are (Variations).  Here is the program essay I wrote for the Miller Theatre:

“The function of music is to refresh the spirit and stimulate the mind.” Alluding to J.S. Bach’s title page to the third part of his Clavierübung, Steve Reich once contributed this response to a question about the function of contemporary music.

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Filed under: essay, Steve Reich, Uncategorized

Remembering

Filed under: Steve Reich

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