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Arts writing by Thomas May

Piazzolla Music Competition Winners

The winners of the Piazzolla Music Competition were recently announced:

SOLOIST

GOLD: ANTON STACHEV, accordion – St. Petersburg, Russia  

SILVER: DANIEL ROJAS, piano – Sydney Australia

BRONZE: LYSANDRE DONOSO, bandoneón – Paris, France

BRONZE: MAXIMILLIAN NATHAN, vibraphone – Montevideo, Uruguay

SPECIAL PRIZE: ROSE WOLLMAN, viola – Evansville, Indiana

ENSEMBLES

GOLD: QUINTETO RESPIRO, Sebastien Innocenti (Bandonéon), Emilie Aridon-Kociolek (Piano), Sabrina Condello (Violin), Fabio LoCurto (Clarinet/Bass Clarinet), Dorian Marcel (Doublebass) – Paris, France

SILVER: DALÍ QUARTET, Ari Isaacman-Beck (Violin), Carlos Rubio (Violin), Adriana Linares (Viola), Jesús Morales (Cello) – Philadelphia, Pennsylvania

BRONZE: Zagrab Philharmonic Orchestra: QUINTETO EMEDEA, Mathias Naon (Violin), Lysandre Donoso (Bandoneon), Emilie Aridon-Kociołek (Piano), Adrien Merahi (Electric guitar), Lucas Eubel-Frontini (Double bass) – Paris, France

SPECIAL PRIZES

CONCERT: Zagreb Philharmonic Orchestra /Quinteto Emedea

CONCERT: Grosseto Symphony Orchestra and Anton Stachev, St. Petersburg

CONCERT: Athens Philharmonia Orchestra and Rose Wollman, Indiana

MASTERCLASS Pablo Ziegler Award: Sonus Piano Trio, California

MASTERCLASSES iClassical Academy Award: Pianoduo LUSTRE, Osaka

MASTERCLASSES iClassical Academy Bonus Award: Gonzalo Esteban Antuña, Río Cuarto, Argentina

MASTERCLASSES iClassical Academy Bonus Award: Nada Brahma Graz, Austria

Proceeds from the competition, totalling $10,000, are being donated to the Playing for Change Foundation to support music and art education in under-resourced communities around the world.

Filed under: competitions, music news

Happy 80th Birthday, Martha Argerich!

There is simply no artist like her. The formidable Martha Argerich turns 80 today. Here’s a feature from Deutsche Welle:

At the age of 80, Martha Argerich remains an incomparable virtuoso, a performer marked by special charisma and nuanced, agile technique….

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Filed under: Martha Argerich, music news

In Memoriam Paul Taub

Today at 4:00 pm PDT, LoudSwell will stream a memorial concert for the irreplaceable flutist and musical visionary Paul Taub.  You can access the performances at Loudswell.com and on The Royal Room Facebook page.

Both sites will have a link to donate to the artists. Performed live on The Royal Room stage, following all Washington State Department of Health guidelines.

The lineup of performers includes:

Members of Seattle Chamber Players
Seattle Modern Orchestra
Laurie DeLuca
Dave Sabee
Mikhail Schmidt
Byron Schenkman
Angelique Poteat
Kin of the Moon (Heather Bentley, Leanne Keith, Kaley Eaton)
Cristina Valdes
Beth Fleenor
Chuck Deardorf
Wayne Horvitz
Jarrad Powell
Jovinos Santos Neto
Michael Partington
Agata Zubel
Claire Chase
And many more…

The obituary I wrote following Paul’s untimely death on 13 March is here.

Filed under: memorial, music news, new music

Pity These Ashes: Tulsa 1921-2021

Among the commemorations of the Tulsa Race Massacre — the horrible events of 31 May-1 June 1921 that took place in Tulsa’s Greenwood District — here’s a concert scheduled for 19 June/Juneteenth by the Harlem Chamber Players and featuring the world premiere Adolphus Hailstork’Tulsa 1921 (Pity These Ashes, Pity This Dust), an operatic retelling of the massacre.

The mezzo-soprano J’Nai Bridges will sing in this digitally streamed concert on Juneteenth at 7pm, in commemoration of the 100th anniversary of the massacre. She will be joined by the violinist Jessica (Lady Jess) McJunkins, WQXR host and author Terrance McKnight, harpist Ashley Jackson, and conductor Amadi Azikiwe leading the Harlem Chamber Players.

Also on the program are pieces by Jessie MontgomeryAlice Coltrane, and Trevor Weston.

COMPLETE PROGRAM:

Jessie Montgomery Starburst
Alice Coltrane Prema for Harp and Strings arranged by Tom Cunningham of Urban Playground Orchestra
Adolphus Hailstork TULSA 1921 (Pity Theses Ashes, Pity This Dust) for Mezzo-Soprano and Chamber Orchestra
*World Premiere – libretto by Herbert Woodward Martin
Trevor Weston The People Could Fly for Violin Solo, Narrator and Strings (based upon an African-American folktale by Virginia Hamilton; featuring dancers from Harlem School of the Arts)

FEATURING
Amadi Azikiwe, Music Director and Conductor
Terrance McKnight, Host and Performer
J’Nai Bridges, Mezzo-Soprano
Lady Jess, Violin
Ashley Jackson, Harp
With an orchestra comprising members of The Harlem Chamber Players
Also featuring dancers from Harlem School of the Arts

And here is J’Nai Bridges in  Daniel Bernard Roumain’s aria about the massacre, They Still Want To Kill Us:

Filed under: American music, music news

Tippett Rise on Tour

The Spring Festival Tippet Rise on Tour from April 16 to 18 will premiere 10 short films featuring eclectic music performances, readings of poetry, and live discussions with musicians. Highlights of the Spring Festival include flutist Claire Chase giving the world premiere of a new work by Bora Yoon, an homage to Surrealism by pianist Pedja Mužijević, and performances by violinists Benjamin BeilmanKatie Hyun, and Tessa Lark, cellist Gabriel Cabezas, pianists Richard Goode, and Baritone Tyler Duncan. The performances were filmed in sculptor Joel Shapiro’s studio and in the DiMenna Center for the Arts in New York City.

The three-day event will also feature Canadian cellist Arlen Hlusko, who was recently appointed cellist of the Bang on a Can All-Stars. Arlen put an ask out on social media during lockdown to see if any composers would be interested in writing miniatures for solo cello that would be premiered on her Instagram in September 2020. This resulted in exhilarating collaborations with numerous composers and four of the works were subsequently filmed by Tippet Rise and will be offered during the Festival.

Each night of the Spring Festival will begin at 5:30PM MDT with a live backstage Zoom discussion before the evening’s performances.

Filed under: music news, Tippet Rise

Charpentier Program from Les Arts Florissants

Les Arts Florissants recorded its concert program Charpentier, Grands Motets at the Royal Chapel at Versailles on 28 February following cancellation of two public performances (at Versailles and La Rochelle) due to the pandemic. The film will be available on Qwest TV starting on April 9

From the press release:

Les Arts Florissants collaborates for the very first time with Qwest TV, a global video platform, to offer the exclusive broadcast of the film Charpentier, Grands Motets recorded at Versailles’ Royal Chapel.

Digital Concert – public premiere
Musical Direction: William Christie
Choir and Ensemble: Les Arts Florissants
Royal Chapel – Versailles
Filmed on 28 February 20212 without a live audience

Coproduction Les Arts Florissants and Château de Versailles Spectacles

Qwest TV recently launched a “Classical” category on their premium SVOD platform, across which Charpentier, Grand Motets will be released.

SVOD broadcast (access by subscription, with 7 days free trial)
For more details on how viewers can stream the film on Qwest, click here.

See also Les Arts Florissants’ film of Haydn’s Paris Symphony no. 87, released on 11 January 2021.

Filed under: early music, Les Arts Florissants, music news

Bach Passions

If you haven’t yet experienced the Peter Sellars staging of J.S. Bach’s St. Matthew Passion, I can’t recommend it highly enough — and the Berliner Philharmoniker production with Simon Rattle is currently available to view for free (until Monday) at the Digital Concert Hall.

Meanwhile, Bach’s St. John Passion will be performed by John Eliot Gardiner, the Monteverdi Choir, and the English Baroque Soloists. It can be viewed for a fee of 9.90 Euros on a Deutsche Grammophon Stage stream from the historic Sheldonian Theatre in Oxford, starting at 3pm CET on Good Friday, 2 April.

Remarks Gardiner: “I look forward to this performance for DG Stage of Bach’s St John Passion. “I recorded the piece for the first time for Archiv Produktion back in 1986 and it remains truly special to me. Bach conceived the piece as much as an act of worship as a work of religious art. Almost 300 years after it was heard for the first time, it continues to move listeners of all faiths and none.”

And here’s a performance from 2019 of the 1725 version of the St. John Passion (available for the next 48 hours) from Solomon’s Knot: recorded live at the Nikolaikirche, Bachfest Leipzig, on 19 June 2019. Dramatization by John La Bouchardière.

Filed under: Bach, music news

Voices of Silicon Valley: On Stockhausen’s Stimmung

Sunday at 5PM PST, the Voices of Silicon Valley present a discussion of Stockhausen’s landmark work Stimmung.

Distinguished African American composer and media artist Pamela Z and Voices of Silicon Valley (VOSV) Artistic Director Cyril Deaconoff will discuss its cultural context, Stockhausen’s influence on the French spectral school (Gerard Grisey in particular), and the learning process and technique used by VOSV.

This discussion will be presented on VOSV’s Youtube channel here.

The 17-minute presentation was originally recorded for the digital Gala/ Orpheus album release party on 15 November 2020. After the re-broadcast this Sunday, it will stay on Youtube and may be viewed later. Stockhausen’s Stimmung appears on VOSV’s album Voices of Our Time, which features the first recording of this work by an American group.

Filed under: choral music, Karlheinz Stockhausen, music news

Tribute to Clara Schumann

On Sunday 28 March at 5pm PST, Port Angeles’s Music on the Strait — the Strait of Juan de Fuca, that is — presents Tribute to Clara Schumann from the shores of Lake Sutherland. The performers include co-artistic director James Garlick (violin), Saeunn Thorsteindottir (cello), Orion Weiss (piano), and Nathan Hughes (oboe). Violist and Music on the Strait co-artistic director Richard O’Neill, who just won the Best Classical Instrumental Solo Performance Grammy Award, will introduce.  The concert can be accessed for free here.

Program:

Clara Schumann: Three Romances for Violin and Piano, Op 22 

Robert Schumann: Three Romances for Oboe and Piano, Op 94 

Johannes Brahms: Wiegenlied and Liebestreu arr. for Cello and Piano

Clara Schumann: Piano Trio, Op 17

My story for the New York Times on Clara Schumann’s 200th birthday can be read here.

Filed under: chamber music, music news

Remembering Paul Taub (1952-2021)

Some thoughts on the wonderful and irreplaceable Paul Taub. May his memory be a blessing.

An internationally acclaimed flutist and pioneer of Seattle’s new music community, Paul Taub died at his home in Seattle on March 13 after a heart attack. He was 68.

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Paul Taub’s last performances were with the organist Joseph Adam, on 26 February 2021 as well as in the video shown above, which premiered online on 28 February but was prerecorded for a program titled Solo Flute Spectacular. For the latter program, he played from Barang I (1974) by Barbara Benary (1946-2019) and the Air in G Minor (1947) by Lou Harrison (1917–2003).

His very last live performance took place on 26 February at Seattle’s St. James Cathedral. For this live concert stream, titled A Musical Prayer, Paul and Joseph Adam performed the following program:

Jehan Alain, arr. Marie-Claire Alain: Trois Mouvements for flute and organ
Alan Hovhaness: Sonata for Ryūteki and Shō, or Flute and Organ
Julie Mandel: Every Monday for flute alone (world premiere)
Anna Bon di Venezia: Sonata No. 1 in C major, Op. 1, No. 1 for flute and organ

Filed under: music news, new music, Seattle Chamber Players

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