MEMETERIA by Thomas May

Music & the Arts

Harmonium in Londinium

First night of the BBC Proms 2017! Tonight’s program includes a world premiere for the opener — Tom Coult’s St John’s Dance — Beethoven’s Piano Concerto No. 3 with the remarkable Igor Levit as soloist, and Harmonium by John Adams, with Edward Gardner on the podium. 

Harmonium is an early Adams work — his first major commission for San Francisco Symphony — and sets poetry by Emily Dickinson and John Donne. Adams recalls:

Harmonium was composed in 1980 in a small studio on the third floor of an old Victorian house in the Haight-Ashbury district of San Francisco. Those of my friends who knew both the room and the piece of music were amused that a piece of such spaciousness should emerge from such cramped quarters.

Filed under: BBC Proms, Beethoven, John Adams

Seattle Chamber Music Society’s 2017 Summer Festival

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Jame Ehnes, left, Ani Aznavoorian and Andrs Daz in performance from a previous Seattle Chamber Music Festival Summer Festival. (Paul Joseph Brown)

I spoke with James Ehnes for the Seattle Times about the upcoming Summer Festival:

Seattle Chamber Music Society’s 2017 Summer Festival to feature musical postcards from across Europe, an American composer’s world premiere and a community performance of Bach before the closing open-air concert at Volunteer Park.

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Filed under: chamber music, commissions, James Ehnes, Seattle Chamber Music Society

Connecting the Dots: Steve Jobs on the Opera Stage

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Edward Parks III, who will create the role of Steve Jobs; photo: Dario Acosta/Santa Fe Opera

My feature for Opera Now on The (R)evolution of Steve Jobs, the new opera by Mason Bates and Mark Campbell being premiered later this month at Santa Fe Opera:

Six years after his death at the age of 56, Steve Jobs has achieved an almost mythical status as the cultural icon and technological innovator behind Apple.

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Filed under: American opera, Mason Bates, Santa Fe Opera

Celebrating American Composer George Walker

07aGood timing: here’s my Strings magazine profile of George Walker, who turned 95 years young last week (now available online).

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Filed under: American music, George Walker, profile

Mahler’s Fifth by Way of Ligeti in Seattle

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Seattle Symphony and Seattle Symphony Chorale; (c) Brandon Patoc

The road leading to the fusillade of bright, brisk chords at the end of Mahler’s Fifth Symphony – which concluded Seattle Symphony’s current season – was unusually long and winding. And dark …
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Filed under: Ligeti, Ludovic Morlot, Mahler, review, Seattle Symphony

The Unstoppable George Walker

Tomorrow is the 95th birthday of George Walker. This American musical treasure remains creatively productive and full of insight and deserves to be far better known.

I was incredibly fortunate to be able to spend some time interviewing him for the profile in Strings magazine’s July issue.

It’s currently available to subscribers, so I can post only a brief teaser:

When he published his memoirs in 2009, George Theophilus Walker chose the title Reminiscences of an American Composer and Pianist. It was at the keyboard that he first formed his musical identity, starting when he was five. Precocious musically and intellectually, Walker graduated from high school at 14 and in the yearbook announced his intention to become a concert pianist — which is precisely what he proceeded to do, in characteristic Walker fashion.

Filed under: American music, George Walker, Strings

Ligeti-Mahler Program for Seattle Symphony’s Closing Concert

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I spoke to Ludovic Morlot about his remarkable programming of Ligeti’s Requiem with Mahler’s Fifth Symphony to close Seattle Symphony’s season:

Saying a proper goodbye is an art. Ludovic Morlot plans to conclude his current Seattle Symphony season with a lot more than a bang…

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Filed under: Ligeti, Ludovic Morlot, Mahler, programming, Seattle Symphony

Thomas Dausgaard and Seattle Symphony Climb Strauss’ Magic Mountain

“I am the last mountain of a large mountain range,” declared Richard Strauss towards the end of his life. Thursday night’s Seattle Symphony program, led by Principal Guest Conductor Thomas Dausgaard, combined the metaphorical mountain-climbing the composer depicted in Eine Alpensinfonie with the Four Last Songs.

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Filed under: review, Richard Strauss, Seattle Symphony, Thomas Dausgaard

Ludovic Morlot To Make Berlin Philharmonic Debut

Reminder: LudovicMorlot conducts Berliner Philharmoniker and Joyce DiDonato at 1 pm EST/10am PST. Streamed live here:
https://www.digitalconcerthall.com/en/concert/23518

Thomas May's avatarMEMETERIA by Thomas May

1617_Concerts_openingnight917_CarlinMa-31-640x453 Opera star Joyce DiDonato is shown with Ludovic Morlot and the Seattle Symphony last September. Morlot and DiDonato will appear together in Berlin later this week. (Carlin Ma)

The Seattle Symphony’s music director has been asked to replace an ailing colleague as guest conductor of this week’s concerts with Berlin Philharmonic — one of the world’s most prestigious orchestras.

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Filed under: Uncategorized

Ludovic Morlot To Make Berlin Philharmonic Debut

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Opera star Joyce DiDonato is shown with Ludovic Morlot and the Seattle Symphony last September. Morlot and DiDonato will appear together in Berlin later this week. (Carlin Ma)

The Seattle Symphony’s music director has been asked to replace an ailing colleague as guest conductor of this week’s concerts with Berlin Philharmonic — one of the world’s most prestigious orchestras.

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Filed under: Ludovic Morlot, music news, Seattle Symphony, Seattle Times

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