MEMETERIA by Thomas May

Music & the Arts

Sameer Patel Named New Director of  La Jolla Symphony & Chorus

Sameer Patel; photo (c) Sam Zauscher

Sameer Patel has been appointed Music Director and Orchestra Conductor of the La Jolla Symphony & Chorus. His tenure will begin with the new 2023-24 season and follows a year-long search after the departure of Steven Schick, who stepped down from the role in May 2022. La Jolla’s Search Committee invited a small group of internationally renowned conductors to audition for the position. Patel will work alongside Arian Khaefi, the Sally and Einar Gall Music Director and Chorus Conductor.

Already a familiar presence to audiences in the San Diego region, Patel is currently Artistic Director of the San Diego Youth Symphony and was previously Associate Conductor of the San Diego Symphony, where he reinvigorated the orchestra’s programming and connection with its community.

Hailed as a rising star in the conducting world, Patel brings an impressive resume of international performances and collaborations to La Jolla. Patel studied at the University of Michigan and furthered his training across Europe with some of the leading conductors of our time. He now makes his home in San Diego with his wife, Shannon, and their two children, Devan and Veda.

“I am thrilled to join the La Jolla Symphony and Chorus as Music Director and Orchestra Conductor. From my earliest experiences working with the musicians, I’ve consistently been impressed not only with their artistic integrity and curiosity, but also by the way they so joyfully and willingly share their humanity both onstage and off,” Patel said. “I am grateful and proud to expand my musical involvement in this community that I love and believe in, and I look forward to a bright future together.”

From my recent profile of Sameer Patel for Musical America, who was featured in April as their New Artist of the Month:

As he describes the career choices that have led to his current position, Sameer Patel refers to a verse from the Bhagavad Gita: “It’s better to strive in one’s own dharma than to succeed in the dharma of another’ — in other words, to follow your own virtue or path or journey.”

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Filed under: conductors, music news

LA Master Chorale in Salzburg

(c)Tao Ruspoli and Marie Noorbergen

So proud of the wonderful Los Angeles Master Chorale, which is on the program on 20 and 21 July open the 2023 Salzburg Festival in the Ouverture Spirituelle series with Music to Accompany a Departure, its interpretation of Heinrich Schütz’s Musikalische Exequien, directed by Peter Sellars. They will also perform Sofia Gubaidulina’s Sonnengesang (The Canticle of the Sun) for cello, choir, and percussion.

Peter Sellars describes the program here.

Filed under: Uncategorized

OrpheusPDX’s Second Season in August

I wish the timing did not coincide with a very busy festival season, which means I won’t be able to explore this new adventure in Portland. But the two productions that OrpheusPDX is offering in August look very interesting. The company’s second season will offer Mozart’s 1775 opera seria Il re pastore (3 and 6 August) and Nico Muhly’s Dark Sisters (24 and 27 August). (I well recall Vancouver Opera’s production of Muhly’s fascinating opera, which I reviewed in December 2015 for Musical America.) All performances will take place in Portland State University’s 475-seat Lincoln Performance Hall.

Portland Opera’s former General Director Christopher Mattaliano founded OrpheusPDX last year and operates the company “without an office and via lots of Zoom calls. Its model is to honor tradition and explore new directions,” he says, creating a space “where opera gets intimate.”

Filed under: music news, opera companies

Giuseppe Mengoli Wins the 7th Mahler Conducting Competition

Giuseppe Mengoli (Italy)

UPDATE: Here’s a link to Medici.tv’s recorded livestream of the closing concert.

The Italian conductor Giuseppe Mengoli has been announced as the winner of the 2023 Mahler Conducting Competition, which confers a cash prize of 30,000 euros. The competition was held in Bamberg, Germany, from 7 to 13 July, with a repertoire including Mahler’s Seventh Symphony (from which different movements were played in each round), as well as Haydn’s Symphony No. 92 in G major (first round), Bernd Richard Deutsch’s Con moto, which was commissioned by the Bamberg Symphony and given its world premiere and (second round), Berg’s Seven Early Songs (semi-final), and Stravinsky’s Violin Concerto (final round).

The sold-out concluding concert of the competition will take place on Saturday, 15 July, with Mengoli leading the Bamberg Symphony. The program consists of Mahler’s Symphony No. 7, Haydn’s Symphony No. 92, and Berg’s Seven Early Songs, with Thomas Hampson as the soloist; Mengoli will record with the Bamberg Symphony next season.

Second place went to the Japanese American conductor Taichi Fukumura, who received 20,000 euros. In third place was the German conductor Georg Köhler, who was awarded a cash prize of 10,000 euros. Additionally, a new prize was introduced this year: Best Conducting of Contemporary Composition, which confers an award of 7,500 euros (donated by the Mahler Foundation). This was awarded to the American conductor Kevin Fitzgerald.

The Mahler Competition was founded in 2004 by the Bamberg Symphony and its principal conductor at the time, Jonathan Nott, and takes place every three years. The inaugural winner was Gustavo Dudamel. More candidates than ever before applied for the 2023 competition: there were 350 applicants, of which almost 20% were women; 16 male and 4 female conductors were selected and invited to Bamberg.

MORE ON GIUSEPPE MENGOLI:

Until recently, Mengoli held the position of Assistant Conductor to Lorenzo Viotti at the Netherlands Philharmonic Orchestra and the Dutch National Opera in Amsterdam. In May 2023 he joined the artistic team for the Orchestre National de France new production of La Bohème at the Theatre de Champs-Elysees leading stage rehearsals and assisting Lorenzo Passerini. This summer he will be assisting at the Salzburg Festival, and he will work with the SWR Symphonieorchester in the upcoming season.

In May 2022, Mengoli assisted Lorenzo Viotti in Lisbon preparing as well as conducting the Gulbenkian Orchestra in Schoenberg’s Pelleas et Melisande. In October 2022, he made his debut with the Nederlands Kamerorkest and soloist Leonard Elschenbroich conducting the world premiere of Willem Jeths’s Cello Concerto No. 2 at the Cello Biennale 2022 in Amsterdam. He stepped in to prepare Beethoven’s Fifth with the Solistes Européen Luxembourg at very short notice, which led to an invitation to join the orchestra again for upcoming projects.

Mengoli’s conducting career began as a result of his experience as a concertmaster in youth and professional orchestras from the age of 19. Since then he has worked with Oleg Caetani, Daniel Barenboim, Christoph König, and John Axelrod and with such orchestras as the Real Orquesta Sinfonica de Sevilla, Oslo Opera House, LaVerdi Symphony Orchestra, and the Royal Opera House. In 2018 he made his conducting debut with the Gustav Mahler Jugend Orchester in Bad Schandau. During this time, he also served as concertmaster of the GMJO and as a substitute in orchestras like the Konzerthaus Orchester Berlin and Rundfunk Sinfonieorchester Berlin.

Winner of several international competitions as a violinist, he completed his violin studies cum laude and with special mention. Alongside the violin, Mengoli studied percussion, piano, and trumpet, and he has also worked as a composer and arranger of jazz. Having obtained his bachelor’s degree in orchestra conducting, he is currently pursuing his master’s degree at the Franz Liszt Academy in Weimar with Nicolás Pasquet and Ekhart Wycik and is regularly working with such orchestras as the Staatskapelle Weimar, the Jenaer Philharmonie, and the Thüringen Philharmonie Gotha.


Filed under: conductors, music news

Best Bets for Seattle Chamber Music Society’s 2023 Summer Festival

Seattle Chamber Music Society Artistic Director and violinist James Ehnes (left) with colleagues. SCMS’ Summer Festival runs July 3-28. (Jenna Poppe)

I suggested some unmissable programs in this year’s edition off the 2023 Summer Festival, which lasts throughout July:

Changes have been afoot since the Seattle Chamber Music Society returned to a full live season — from a roving concert truck to a new center located downtown — but what remains a constant is the embarrassment of riches that its Summer Festival offers throughout the month of July.

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Filed under: music news, Seattle Chamber Music Society

BBC Proms 2023

A guest post from Tom Luce:

Best Bets for the BBC Proms 2023

This summer’s program of 71 BBC Prom concerts, performed mainly in London’s Royal Albert Hall, start this coming Friday, 14 July, and end with the communally remarkable Last Night on 9 September. All will be audibly accessible across the world online on BBC Sounds. Many will thus remain available for up to 30 days after their actual performance. 

Characteristically, the orchestral and choral performers include ensembles from across the UK — whether run by the BBC itself — including the Chineke! Orchestra, Europe’s first majority Black and ethnically diverse orchestra. Several from abroad are among the offerings — Berlin, Boston, Bremen, Hungary, France and Switzerland.

Program details are accessible here. It’s hard to recommend individual events from so superb a total, but a few seem especially worth mentioning:  on 23 July: Beethoven’s Choral Symphony and a new work, “Meditations on Joy,” by Helen Grime — pieces which will dramatically illustrate the idea that joyful music is valuable to mental health; 25 and 26 August: two fine concerts by the Boston Symphony; 27 August: Mahler’s Symphony 9 with the London Symphony Orchestra under Sir Simon Rattle; and 3 September: a concert performance of Berlioz’s phenomenal but rarely done opera The Trojans, conducted by its probably finest interpreter, Sir John Eliot Gardiner.

Filed under: BBC Proms, music news

Wenzeslaus Thomas Matiegka’s 250th Birthday

From Bridge Records, whose catalogue includes a recording of W.T. Matiegka’s Six Sonatas, op. 31, performed on a Viennese style guitar by David Starobin:

Wenzel Thomas Matiegka (1773-1830) was born in the town of Choceň in the Kingdom of Bohemia, then part of the Habsburg monarchy. Matiegka became an accomplished pianist while reading law at the University of Prague. After legal employment in the service of Prince Ferdinand Kinský, Matiegka moved to Vienna and was quickly acknowledged as a leading composer of solo and chamber music featuring the guitar. Young Franz Schubert arranged and re-scored Matiegka’s Notturno, op. 21, adding an exceptionally elaborate cello part. On 6 July 2023, in Matiegka’s native Choceň, performances and celebrations are scheduled to honor the city’s native son on his 250th birthday.

Starobin regards Matiegka’s sonatas as “in their time, the pinnacle of expression on the guitar, offering the most detailed notation of both articulation and character–a clear window onto performance style in the era of Beethoven and Schubert.” 

“These works unfold with a spectrum of creative possibility, especially in Starobin’s eloquent hands.  The guitarist brings refinement to every turn of phrase, whether the music is marching, dancing or crying.  This recording is a swansong to savor.” – Donald Rosenberg, Gramophone

Filed under: music news, recommended listening

Triplet of Trios Sets the Tone for Seattle’s Summer of Chamber Music

Steven Osborne, James Ehnes and Alisa Weilerstein; (c)Jenna Poppe

Seattle Chamber Music Society’s 2023 Summer Festival is now in full swing. My review of the opening night concert:

Opening night concerts can be an invitation to default to lightweight programming, letting extramusical distractions become the focus. Not so at Seattle Chamber Music Society. The 2023 Summer Festival kicked off with a concert that kept the audience’s attention avidly fixed on the music at hand…

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Filed under: chamber music, James Ehnes, Maurice Ravel, review, Seattle Chamber Music Society

Osmo Vänskä’s Precision-Calibrated Mahler with Seattle Symphony

Osmo Vänskä led the Seattle Symphony in a breathtaking account of Mahler’s Symphony No. 2. (Photos by Carlin Ma)

I reviewed the final concert of the Seattle Symphony season — an excellent performance of Mahler’s “Resurrection” Symphony No. 2 with guest conductor Osmo Vänskä:

SEATTLE — The Seattle Symphony’s season of guest conductors concluded with a visit by Osmo Vänskä. On June 24, he led a breathtaking, meticulous performance of Mahler’s Symphony No. 2. Conventional program structure offers a chance to experience each visiting conductor’s skills with a variety of pieces and styles. But with the entire concert devoted to this single work, Vänskä took on the additional test of sustaining the musical narrative over the length of a feature film.

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Filed under: Classical Voice North America, conductors, Mahler, review, Seattle Symphony

Community, Climate Change, and Early Music

Three leaders of Pacific MusicWorks, from left, Henry Lebedinsky, Tekla Cunningham, Stephen Stubbs. ‘A healthy ecosystem needs to have an educational aspect that cultivates the next generation.’ (Photo by Elizabeth Ellis)

My feature story for Early Music America Magazine’s latest issue is now available online:

The vulnerability of our natural ecosystems makes us more aware of the fragile state of our artistic ecosystems—and how profoundly interconnected these issues are.

What happens when a city known for its early-music scene becomes too expensive for musicians?

‘Can one person save the planet? No. But you can right your own individual actions that are ethical and point you in a certain direction.’

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Filed under: climate change, early music, Early Music America

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