February 12, 2021 • 12:45 pm Comments Off on Winter Festival: Seattle Chamber Music Society
Week 2 of Seattle Chamber Music Society’s 2021 Winter Festival continues on Saturday with a program of Schumann, Sibelius, Massenet, and Prokofiev. And since the performance is streamed online, no worries about how the coming winter storm will shape up.
Every concert is available to stream on demand from its release through March 15. Subscriptions for all 6 concerts are $100.
Filed under: chamber music, Seattle Chamber Music Society
February 8, 2021 • 10:34 pm Comments Off on Will Liverman: Dreams of a New Day: Songs by Black Composers
The American baritone Will Liverman’s new recital album Dreams of a New Day: Songs by Black Composers releases on 12 February.
With pianist Paul Sánchez, Liverman sings his first full-length recording for Cedille — “a passion project,” in his words, that gathers art songs by Black composers spanning from the early 20th century’s Henry Burleigh through Margaret Bonds, Thomas Kerr, and Robert Owens to such contemporary composers as Leslie Adams, Damien Sneed, and Shawn E. Okpebholo (in the world premiere recording of Two Black Churches, which Liverman commissioned).
Liverman also plays piano in his own arrangement of Richard Fariña’s Birmingham Sunday. The album includes two booklets: a 20-page booklet with extensive program notes and a booklet with the complete song texts.
Filed under: music news, recommended listening
February 5, 2021 • 2:14 pm Comments Off on Inaugural Piazzolla Music Competition
This year marks Astor Piazzolla‘s centenary: he was born on 11 March 1921 in Mar del Plata, Argentina. The Fundación Astor Piazzolla and PARMA Recordings are honoring the occasion by collaborating to establish the Piazzolla Music Competition. This virtual competition, which will accept submissions until 18 April 18 2021, is open to all musicians, professional and otherwise, soloist or ensemble, instrumentalist or singer, who have an affinity for works of this trailblazing 20th-century composer.
The jury includes Pablo Ziegler, Héctor del Curto, David Binelli, Cesere Chiacchiaretta, Arthur Gottschalk, Walther Castro, Pablo Petrocelli, and Sandra Rumolino as well as performing arts executives and arts managers. They will award the grand prize winners (solo and ensemble) with a cash prize, a recording deal with PARMA Recordings, and a performance tour through China, organized and funded by the Competition. Additional special prizes will be awarded, including concerts in the 2022-2023 season with the Zagreb Philharmonic Orchestra, Grosseto Symphony Orchestra, or Athens Philharmonia Orchestra to be scheduled, booked, and funded by the orchestras.
The finalists will be announced in May, and the winners will be announced on 15 June 2021.
More on the inaugural Piazzolla Music Competition:
The Piazzolla Music Competition seeks to continue Piazzolla’s legacy as the single most influential
figure in the history of tango, by identifying and celebrating highly talented musicians of any
instrument or voice type with an affinity for the inimitable style and virtuosity of Astor Piazzolla’s
compositions
• The esteemed individuals comprising the jury include: Grammy Award-winning pianist and composer
Pablo Ziegler (President of the Jury); Grammy Award-winning bandoneonist Héctor del Curto;
bandoneonist /composer David Binelli; Daniel Villaflor Piazzolla, grandson of Astor Piazzolla and vice
president of Fundación Astor Piazzolla; tango singer, actress, and dancer Sandra Rumolino;
accordionist, bandoneonist, and composer Cesere Chiacchiaretta; Professor of Music Composition at
Rice University, Arthur Gottschalk; Walther Castro, bandoneonist, composer and arranger; performing
arts manager Pablo Petrocelli; Croatian Music Institute President Romana Matanovac Vučković,
Institution Management owner and arts consultant Masae Shiwa; and Jia Rui, Vice President of
JoyTitan Entertainment
• Judged through video submissions sent in by applicants, the competition winners will be announced
on 15 June 2021
• Inclusive of all pre-professional and professional soloists and ensembles of 6 or fewer of any
nationality, state, or country of residence, any contestant over the age of 13 (at the time of video
submission) is eligible to apply
• The Piazzolla Competition offers the highly coveted grand prize, in both the solo and ensemble
divisions, of a cash prize ($1500 USD for soloist, $3500 USD for ensemble), a recording and release
deal with PARMA Recordings’s Navona Records, as well as a concert tour throughout China arranged
and funded by PARMA
• Second and Third Prize winners receive Silver or Bronze medallions, respectively, to mark their
outstanding talent and potential
• Special Prizes include the Pablo Ziegler Award, a masterclass for the soloist or ensemble recipient
and Maestro Pablo Ziegler, facilitated by PARMA Recordings; or an invitation to perform with the
Zagreb Philharmonic Orchestra, Grosseto Symphony Orchestra, or Athens Philharmonia Orchestra in the 2022-23 season, with concerts scheduled, booked, and funded by the respective acclaimed
ensembles
• The application process, designed with inclusivity of resource availability at the forefront, requires
musicians to submit by video at least two pieces totaling a minimum of six minutes, performing only
music of Astor Piazzolla, from any time between 18 April 2011 and the application deadline of 18 April
2021. Submission videos must show the musicians with hands and faces fully visible in one,
unedited take. In order to comply with COVID-19 precautions, new ensemble videos may be recorded
“frame-in-frame” in one unedited take, and must date to January 1, 2020 or later
• Applications are open from today
• Finalists will be listed publicly on May 18, 2021, and the Winners Announcement will take place on
15 June 2021
Filed under: Astor Piazzolla, competitions, music news
February 4, 2021 • 6:53 pm Comments Off on Patricia Kopatchinskaya: A Day in the Life
Filed under: Patricia Kopatchinskaja
January 31, 2021 • 12:15 am Comments Off on Aaron Copland: American Populist
This new film from PostClassical Ensemble’s More than Music Project explores Aaron Copland’s far left activism — including a rare performance of his prize-winning workers’ song “Into the Streets, May First,” with its call “Up with the sickle and the hammer!”
Notes Joseph Horowitz of PCE, “It’s all eerily pertinent today, this saga of an iconic American composer jostled by Populist currents on the far left, then the far right – and finally retreating from the fray.”
Among the film’s participants are the American historians: Michael Kazin (on populism) and Joseph McCartin (on the Red Scare). The soundtrack includes excerpts from PCE’s Naxos DVD of The City (1939), which Horowitz regards as “Copland’s highest achievement as a film composer, and the least-known consequential music that he composed.”
Aaron Copland, he concludes, “somewhat resembles ‘a cork in a stream,’ buffeted by political and social currents — a saga that raises many questions, including: What is the fate of the arts in the United States?”
An index to the 75-minute film:
10:14 – Copland on that Communist picnic
11:48 – Copland on workers’ songs
12:34 – “Into the Streets, May First” sung by Lisa Vroman and William Sharp
16:37 – Copland on Hollywood film music (with some Korngold to listen to)
20:00 – Excerpts from The City
39:20 – Joseph McCartin on the Red Scare
44:34 – Joe McCarthy and Roy Cohn grill Copland
58:25 – Music historian Beth Levy on Copland’s quest for musical identity
1:04:32 – Michael Kazin on Copland and the Popular Front
1:06:30 – Horowitz’s summing up — a “cork in a stream” – with comparisons to Charles Ives and George Gershwin: composers with deeper roots
1:12:54 – The last word goes to pianist Benjamin Pasternack, recalling an illuminating meeting with Aaron Copland at Tanglewood.
Filed under: Aaron Copland, American music, PostClassical Ensemble
January 29, 2021 • 3:35 am Comments Off on Hélène Grimaud and Nicholas McGegan in an all-Mozart concert with the DSO
Today at 8:00PM CET/1:00PM CST: Hélène Grimaud with the Dallas Symphony Orchestra and Nicholas McGegan in a digital concert that was recorded live in performances from January 14-16, 2021.
The program includes Mozart’s Piano Concerto in D minor, K. 466, which is featured on Grimaud’s latest release, The Messenger. McGegan also leads Mozart’s Symphony No. 40 in G minor, K. 550. This is part of the DSO’s Next Stage Digital Concert Series presented jointly with Deutsche Grammophon.
Filed under: Mozart, Nicholas McGegan, pianists
January 27, 2021 • 3:13 am Comments Off on Mozart Birthday Toast
Raise a toast to Mozart with Byron Schenkman & Friends: tonight at 7.30pm PST on the Town Hall Seattle site (free to $10-15; up to age 22 free)
| The livestreamed program includes the E minor Violin Sonata, K. 304 (300c); Six Variations on Au bord d’une Fontaine, K. 360 (374b); and the Piano Quartet in G minor, K. 478. Byron Schenkman is joined by violinist Ingrid Matthews, one of today’s most respected baroque violinists; violist Susan Gulkis Assadi, principal viola at the Seattle Symphony; and cellist Nathan Chan, the assistant principal cello at Seattle Symphony. |
Filed under: Byron Schenkman, Mozart
January 26, 2021 • 9:47 am Comments Off on Schubert Week from Berlin
The Pierre Boulez Saal in Berlin just completed its customary January week devoted to Schubert’s art song, with Thomas Hampson as guide and mentor.
The entire week’s worth of daily concerts, workshops, and conversations, which was streamed live from the hall, remains available online for another 30 days. The digital format also includes extended behind-the-scenes content on the songs and poems as well as interviews with some of the artists.
see the links to streams below on this page
Filed under: lieder, Pierre Boulez Saal, Schubert
January 22, 2021 • 3:02 am 1
The music world is still reeling from Simon Rattle’s recently announced curtailment of his tenure with the London Symphony Orchestra in favor of the Symphonieorcehster des Bayerischen Radiofunks. And now we learn that the young Lithuanian star conductor Mirga Gražinytė-Tyla will step down from her post helming the City of Birmingham Symphony Orchestra at the end of the 2021-22 season. What hath Brexit wrought?
Gražinytė-Tyla stated: “I have decided to give up my position of Music Director of the CBSO at the end of the 2021-22 season and have happily accepted the orchestra’s invitation to become Principal Guest Conductor in the 2022-23 season. This is a deeply personal decision, reflecting my desire to step away from the organizational and administrative responsibilities of being a Music Director at this particular moment in my life and focusing more on my purely musical activities.”
Filed under: conductors, music news
January 18, 2021 • 11:36 am Comments Off on Inauguration Fanfares
Let the music begin.
On Tuesday 19 January at 12pm EST, the Hope & Harmony Ensemble will give a livestream performance in honor of the upcoming Inauguration. Led by Marin Alsop, they will play Aaron Copland’s Fanfare for the Common Man and Joan Tower’s Fanfare for the Uncommon Woman*.
The Hope & Harmony Ensemble brings together 14 brass and percussion players from all around the United States: one musician each from the Atlanta Symphony, Baltimore Symphony, Chicago Symphony, Cincinnati Symphony, Dallas Symphony, Los Angeles Philharmonic, Minnesota Orchestra, National Symphony, New York Philharmonic, Pacific Symphony, Peabody Institute, South Asian Symphony, St. Louis Symphony, and Utah Symphony.
This tribute is the brainchild of Neeta Helms, founder and president of the DC area-based tour company Classical Movements. Helms conceived the idea over a dozen years ago and sees it as an offering to unite a bitterly divided country through the power of music. The Hope & Harmony Ensemble was chosen to reflect the diversity of the American people.
“I am elated to be able to finally celebrate our first female Vice President. I am deeply inspired by Kamala Harris – and as an Indian-born American, I feel particular personal pride that her mother was Indian and in her archetypically American background,” says Neeta Helms. “In this time of difficulty and hardship, it is also fitting that we celebrate Joe Biden, an example to us all for his ideals of decency and hope and his perseverance in the face of hardship and tragedy. Filling a unique and vital role in the music industry that has been hit so hard by the pandemic, it was essential to us to create an ensemble that represented and celebrated our nation’s diversity, featuring women and men equally.”
In addition to footage of each musician, recorded in their homes and on site across the country, the presentation incorporates photographs and video illustrating “America the Beautiful” and the context of the struggle for civil rights and equality for women in the United States. Classical Movements has partnered with video and sound engineers Arts Laureate to produce these videos.
You can watch the presentation on Classical Movements’ YouTube channel and Facebook page.
*My profile of Joan Tower starts on p. 27 here. And here’s a little background I wrote on Tower’s Fanfare for the Uncommon Woman No. 1:
Tower alludes in several ways to Copland’s 1942 Fanfare for the Common Man, which had been commissioned as one of a series of fanfares to support the Allied struggle in World War Two. Tower similarly scores for a brass and percussion ensemble but uses a much more extended array of percussion instruments. With its mix of tuned and untuned instruments, this section actually resembles a miniature orchestra of its own. Tower also packs a greater variety of thematic material and textural contrast into her fanfare.
Filed under: American music, Joan Tower, music news
Arts & Culture Stories from NPR
MEMETERIA by Thomas May 