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Arts writing by Thomas May

Music on the Strait 2022

Music on the Strait 2022 Opening Night: Demarre McGill and Jeremy Denk play Beach and Franck

The 2022 Music on the Strait season began on Friday (see above) with a spotlight on the extraordinary flutist Demarre McGill, who was featured in works by Debussy and Amy Beach in the opening night program. Joining McGill were violinists Elisa Barston and James Garlick (Music on the Strait’s co-artistic director) violist David Auerbach, cellist Efe Baltacıgil, and pianist Jeremy Denk (2022 special guest artist), who will perform César Franck’s Piano Quintet in F minor.

The festival takes place on Washington’s beautiful Olympic Peninsula over two weekends, from 26 August to 3 September:

  • August 26: Opening Night with virtuoso flautist Demarre McGill 
  • August 27: Efe Baltacıgil and Jeremy Denk play Beethoven 
  • August 28: Every Good Boy Does Fine: Jeremy Denk in Recital and Conversation
  • September 2: Shostakovich’s Eighth String Quartet 
  • September 3: Festival Finale: A World Premiere by Paul Chihara

ROSTER OF 2022 ARTISTS:

VIOLIN: Elisa Barston, Kyu-Young Kim, James Garlick 

VIOLA: David Auerbach, Richard O’Neill 

CELLO: Efe Baltacıgil, Sæunn Thorsteinsdóttir

FLUTE: Demarre McGill 

PIANO: Jeremy Denk, George Li 

COMPOSER-IN-RESIDENCE: Paul Chihara

Filed under: chamber music, music news, Music on the Strait

Tippet Rise Returns to Live Music: The 2022 Season

Tippet Rise Art Center launches its 2022 season on Friday. For five weeks, from 26 August to 25 September, the rural Montana-based festival will present 50 works in some 15 concerts, including three world premieres. Friday evening’s concert at the Olivier Music Barn unveils the first of these new works: a new composition for solo cello by Reena Esmail, which the Canadian cellist Arlen Hlusko will premiere. The program also features violinist Jennifer Frautschi and pianist Zoltán Fejérvári in Mozart’s Violin Sonata No. 22 in A major, K. 305, and all three musicians in Schumann’s Piano Trio No. 2 in F Major, Op. 80.

Filed under: music news, Reena Esmail, Tippet Rise

2022 Summer Festival at Lucerne

Following several days of showcasing the young generation with performances by various youth orchestras, Lucerne Festival’s summer of music for 2022 officially launches tomorrow, 12 August. Riccardo Chailly will conduct the Lucerne Festival Orchestra in a program of music by Wolfgang Rihm, Joseph Bologne, Chevalier de Saint-Georges, and Rachmaninoff, with Anne-Sophie Mutter as the soloist in Saint-Georges’ Violin Concerto in A major, Op. 5, no. 2.

Here’s a list of concert transmissions that will be broadcast. Check Radio SRF 2 Kultur as well for broadcast information.

This summer’s theme is “Diversity.” The Festival describes the program as follows:

“For a long stretch, until the post-war decades, time seemed to stand still in the classical music scene. Orchestras were a male domain — women could only be found playing the harp or in the ranks of the violins. People of color were almost non-existent, and Asian women had to fight for their place on the stage. Of course, the leadership was also in male hands: the conductor was to be addressed as “maestro” or, in German orchestras, as “Meister” or “Herr Professor.” The repertoire, in turn, was limited to the Eurocentric canon of works, including the Viennese classics, the German-Austrian Romantics, plus Italian opera and a few coloristic touches from the fringes of Europe. This monoculture even persisted with respect to the audience, since access was found primarily among educated bourgeois circles who had enough income for musical pursuits.

A great deal has of course changed since then, yet a lot still remains to be done. Through this summer’s theme of “Diversity,” we want to make a plea for genuine diversity in classical music. That is why we have invited artists from demographic groups that were previously underrepresented in the scene. A number of women have made their mark on the program, and many works that are inherently diverse or have never been heard here before will be performed. And with affordable offers like the “Overture” presented by international youth orchestras, we hope to prove that enjoying classical music is not a question of money. Because music is for everyone.”

Filed under: Lucerne Festival, music news

Congratulations to Jonathon Heyward

The news that 29-year-old Jonathon Heyward has been named Baltimore Symphony’s new music director is most welcome. His tenure will start at the beginning of the 2023-24 season and is for an initial five-year term.

I noted last year that this is an artist who would go far. When I reviewed his Seattle Symphony debut in June 2019, I wrote that “the chemistry between them produced such subtle and winning results that it defies belief they haven’t been regular collaborators for years.”

The only downside is that this development puts him out of the running for Seattle Symphony as it embarks on its search for a new music director.

Heartiest congratulations to Jonathon!

Filed under: Jonathon Heyward, music news

Per Nørgård at 90

Today marks the 90th birthday of the phenomenally imaginative, innovative, and prolific Per Nørgård. The eminent Danish composer, born in Copenhagen in 1932, grew up in a non-musical family but showed talent at an early age. The evolution of his musical language has been fascinating to behold, moving from an identification with the sound world of Sibelius and “the universe of the Nordic mind” (his phrase) to experiments with European Modernism, the development of a unique kind of serialism through his “infinity series” method, and on to the astonishing series of transformations in his style ever since.

Fellow composer Karl Aage Rasmussen describes Nørgård’s inspirations as based in an openness to “the unending variety in nature, the endless connections between things, and not least the infinitely complex universe represented by any sound, no matter how modest.”

Nørgård at 90

Filed under: music news, Per Nørgård

 Sō Percussion Summer Institute

The Sō Percussion Summer Institute for 2022 begins on 10 July and runs two weeks. Here is the calendar of concerts, plus the faculty and guest artist lecture schedule (lectures can be audited online). Check out events that are available to livestream on  Sō Percussion’s YouTube and Facebook pages.

Filed under: music news, percussion

Seattle Chamber Music Society Concert Truck

To tee off the 2022 Summer Festival, which starts on 5 July, Seattle Chamber Music Society is introducing the Concert Truck: a mobile concert hall equipped with piano and professional lighting and sound. The Concert Truck will be giving free chamber concerts at stops around the Seattle region in the days leading up to the opening of the Festival.

The Schedule:

Thursday, June 23/Program A

1:00pm: Wedgewood Presbyterian Church

5:00pm: Lake City Farmers Market

Friday, June 24/Program B

1:00pm: Westlake Park

7:00pm: Magnuson Park (near Kite Hill)

Saturday, June 25/Program B

12:00pm: Bellevue Botanical Garden

 5:00pm: Gasworks Park

Sunday, June 26/Program A

10:00am: Ballard Farmers Market

 5:00pm: Madison Park North Beach

Tuesday, June 28/Program C

6:00pm: Seattle Chinese Garden

Wednesday, June 29/Program C

11:00am: Freeway Park

5:30pm: Columbia City Farmers Market

Thursday, June 30/Program C

11:00am: Bridge Park Retirement

5:30pm: Central Park (in Columbia City)

Friday, July 1/Program C

11:00am: Pier 62

4:00pm: Ashwood Park (Bellevue)

Saturday, July 2/Program C

11:00am: Pike Place Market (Victor Steinbrueck Park)

7:00pm: Volunteer Park


And the programs:

PROGRAM A:
Thursday June 23 & Sunday June 26

Felix Mendelssohn Piano Trio No. 1

Gabriel Fauré Après un rêve

William Grant-Still Mother and Child

George Gershwin Rhapsody in Blue

Eleanor Alberga 3-Day Mix

PROGRAM B:
Friday June 24 & Saturday June 25

Sergei Rachmaninoff Cello Sonata in g minor

Gabriel Fauré Après un rêve

George Gershwin Rhapsody in Blue

Eleanor Alberga 3-Day Mix

PROGRAM C:
June 28 through July 2

Antonín Dvořák Piano Quintet in A major

William Grant-Still Mother and Child

Henri Vieuxtemps Souvenir d’Amerique

Beethoven Eyeglasses Duo

George Gershwin Rhapsody in Blue

Eleanor Alberga 3-Day Mix

Filed under: music news, Seattle Chamber Music Society

Solstice Celebration


Celebrate the Summer Solstice on Tuesday evening with the musical program Vibe Check at the Chapel Performance Space at the Good Shepherd Center (4649 Sunnyside Ave N) from 6 to 10pm.

Anchoring the evening on amplified five-octave marimba, Eric Jorgensen will be joined by Rachel Nesvig (Hardanger fiddle), Leanna Keith (flute), Aaron Michael Butler (sound manipulation), and Steve Peters (field recordings) for an evening of meditative sounds created in real time and shifting to correspond with the changes in natural light for this longest day of the year. The audience is encouraged to bring pillows or blankets for maximum meditation and is can come and go at will.

Donations will be accepted at the door. All ages welcome. 

Filed under: music news

Seattle Pro Musica’s The Way Home

Friday night at 7.30 pm, Seattle Pro Musica will stream its final concert of the season, The Way Home, which they performed live on 21 and 22 May.

From SPM’s description: “The Way Home honors America’s multicultural heritage with music that seeks to foster respect for all persons and groups, especially immigrants and refugees. Through these performances, we hope to enrich audiences with a greater understanding of and compassion for those who seek shelter from harm.

Music from trailblazing young composers Saunder Choi, Caroline Shaw, Derrick Skye, and Chris
Hutchings explore the peril and helplessness faced by many refugees. Songs from the 14th and 15th
centuries remind us that the refugee experience resonates across human history. Works by Melissa
Dunphy, Reginald Unterseher, and Stephen Paulus express the hope that our hearts will open to
welcome those in need of refuge.”

Electronic program available here.

Filed under: music news, Seattle Pro Musica

RIP Ingram Marshall (1942-2022)

The news of Ingram Marshall‘s passing hits hard. His music was wonderfully imaginative and rich in personality, and his generosity and warmth as a mentor made an enormous impact well beyond the experimental-music scene. I will be forever grateful for Ingram’s kindness and support in participating in The John Adams Reader. He shared so many evocative stories about the culture he and his friend experienced in the Bay Area in the 1970s and early ’80s.

From Frank J. Oteri has reposted an extensive interview he conducted in July 2001 for NewMusicBox.

And here is a series of linked articles and interviews from Ingram’s own website.

Filed under: Ingram Marshall, music news

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