MEMETERIA by Thomas May

Music & the Arts

RIP Geoff Nuttall (1965–2022)

Geoff Nuttall in 2019; photo by Leigh Webber

Devastating news that Geoff Nuttall has passed away. The beloved violinist and founder of the St. Lawrence String Quartet died today at his home in California at the age of 56. He had been undergoing treatment for pancreatic cancer.

The Spoleto Festival USA , where Nuttall was Director of Chamber Music, released the following press announcement:

October 19, 2022 — Violinist, music education advocate, and Spoleto Festival USA Charles E. and Andrea L. Volpe Director of Chamber Music Geoff Nuttall died today at home in California where he was undergoing treatment for pancreatic cancer. He was 56.

From center stage of Charleston’s historic Dock Street Theatre, Nuttall hosted the Festival’s iconic chamber music concerts since 2010, drawing enthusiastic audiences whose devout attendance owed as much to the series’ programming as the dynamism of its host and star performer. As director, he curated each of the 33 annual concerts and performed on many as a violinist and founding member of the St. Lawrence String Quartet, Spoleto’s quartet-in-residence, for more than 25 years.

Nuttall began playing the violin at age 8 after moving from Texas to Ontario, Canada. He received his bachelor’s degree from the University of Toronto, where he studied under Lorand Fenyves. Shortly after graduating, he co-founded the St. Lawrence String Quartet in 1989. The ensemble swiftly received top prizes at the Banff International String Quartet Competition and the Young Concert Artist Auditions, becoming a fixture at some of North America’s most celebrated festivals and concert halls.

St. Lawrence String Quartet is also ensemble-in-residence at Stanford University, where Nuttall served on the music faculty since 1999. With the quartet and as a solo artist, Nuttall played more than 2,000 concerts worldwide to critical acclaim, and was lauded as “intensely dynamic,” with “stunning technique and volatility” (The New York Times).

Nuttall was named to his role at Spoleto by longtime Festival chamber music director and Chamber Music Society of Lincoln Center founder Charles Wadsworth, who first invited Nuttall and the St. Lawrence String Quartet to Spoleto in 1995. Like his predecessor, Nuttall amassed a robust following—audience members who forged a strong connection to Nuttall’s onstage charisma.

The New York Times labeled him “chamber music’s Jon Stewart,” describing Nuttall as a “creatively daring, physically talented performer who can go goofball in a nanosecond, maintaining a veneer of entertainment while educating his base about serious matters…he is subtly redefining what a chamber music concert can be.”

Part of Nuttall’s genius as series host could be found in his pre-performance banter; engaging the audience in revelatory musical learning—facts about the composer or themes to anticipate. While this type of commentary has become de rigueur in many chamber music concert settings, Nuttall’s approach captivated novice listeners and experts alike.

Nuttall’s fervor for the music inspired colleagues both on and offstage. The sense of camaraderie Nuttall created between visiting artists contributed to a celebratory spirit felt in each concert, and a palpable camaraderie among players. He provided a platform for young musicians and composers to flourish. In recent years, next generation titans, including Benjamin Beilman, Anthony Roth Costanzo, Jennifer Frautschi, Arlen Hlusko, James Austin Smith, Paul Wiancko, and JACK Quartet, have appeared onstage in Charleston.

In addition to recording works by such composers as Schumann, Shostakovich, and Tchaikovsky, Nuttall and the St. Lawrence String Quartet were dedicated to the music of Joseph Haydn. In 2020, they were featured on the PBS Great Performances series, “Now Hear This,” in an episode that chronicled the composer’s life and work. Nuttall was also a steadfast champion of contemporary composers. He frequently worked with John Adams, Jonathan Berger, and Osvaldo Golijov—and received a Grammy Award nomination for the recording of Golijov’s Yiddishbbuk.

His passion for new music discovery permeated Spoleto Festival USA’s programming. He often placed contemporary works amongst lesser-known pieces from the canon, and emphatically promoted the works of his players and close friends such as Mark Applebaum, Todd Palmer, Stephen Prutsman, Joshua Roman, and Paul Wiancko. In 2019, Nuttall explained his programming style to Charleston magazine: “My closest friends are constantly curious, and I hope my audiences will share my enthusiasm for curiosity.”

In his final days, his wife, the renowned violinist Livia Sohn, who also serves as Spoleto Festival USA Assistant Director of Chamber Music, asked Nuttall if he had any unfulfilled aspirations on his bucket list. With his characteristic humor and grace, Nuttall replied, “my life has been my bucket list.”

In addition to Sohn, Nuttall is survived by their children, Jack and Ellis, as well as his mother and sister.

STATEMENTS

Mena Mark Hanna, Spoleto Festival USA General Director and CEO: “This is a loss not just for Spoleto Festival USA, but for music lovers around the world. Geoff was classical music’s greatest showman, eliciting a rowdy, raucous reception to Haydn that would sound more at home in a club than a concert hall. He didn’t care if people were clapping between movements; he didn’t care that people wore shorts and sandals to performances; he didn’t care for the rigid social formalities that govern classical music performance. All he cared about was the communitarian, cathartic power of music. And because of that, he changed chamber music in America.”

Alicia Gregory, Chair of Spoleto Festival USA’s Board of Directors: “Within the remarkable constellation of international talent featured every year at Spoleto Festival USA, Geoff Nuttall was consistently one of its brightest stars. His virtuosic artistry, combined with his deft skill in connecting with both artists and audiences, created transcendent performances. He will be remembered as one of the finest classical musicians and curators of our time.” 

A celebration of Nuttall’s life and contributions to Spoleto Festival USA will be part of the 2023 chamber music program. 

Geoff was able to continue living his life as fully as possible under the outstanding and thoughtful care of Dr. Christopher Chen. Geoff’s family has created The Geoff Nuttall Memorial Fund to advance Dr. Chen’s cancer research at Stanford University. In lieu of flowers, please consider making a tax-deductible donation. Gifts can be made three ways: 1) Online atmemorial.stanford.edu by selecting “Other Stanford Designation” and entering The Geoff Nuttall Memorial Fund in the “Other” text box, 2) By check payable to Stanford University with The Geoff Nuttall Memorial Fund indicated on the memo line, mailed to Development Services, P.O. Box 20466, Stanford, CA 94309, or 3) By phone at 650-725-4360.

Filed under: music news, Spoleto Festival USA, violinists

Seattle Pro Musica’s 50th-Anniversary Season: Opening Concert

UPDATE: If you are interested in catching the Oct 15 concert after the fact, you can sign up for the livestream version, as it’s available on demand after the concert. No charge for the stream, you just need to sign up in advance of the concert.    https://seattlepromusica.thundertix.com/events/200774

Has it really been a half century? Seattle Pro Musica, one of the gems of the Puget Sound’s cultural life and of the contemporary choral scene in general, celebrates its 50th anniversary this season with a set of programs superbly curated by artistic director and conductor Karen P. Thomas.

The opening act is on Saturday, 15 October, at Seattle First Baptist Church. Titled My Heart Be Brave, this concert also inaugurates SPM’s New American Composer Series and features composer Marques L.A. Garrett. 

The program presents four choral works by Garrett, including the world premiere of Madrigal, commissioned by SPM, which sets poetry by Paul Laurence Dunbar. Marques will be in residence with the ensemble the week before the concert and will also appear in a pre-concert talk with Karen Thomas.

Also on the program are works by Lili Boulanger, Samuel Barber, Joel Thompson, and Rosephanye Powell.

This five-concert series celebrates the milestone anniversary with commissions and Seattle residencies by five exciting BIPOC composers from across the country.

Marques is an Assistant Professor of Music in Choral Activities at the University of Nebraska–Lincoln. He is an accomplished vocalist, composer, and active researcher specializing in traditional music of the African diaspora, as well as contemporary choral music by Black composers. For his commissioned work, Marques has chosen Dunbar’s evocative text asking to “teach this tongue the singer’s soulful art.”

Here’s the full lineup for My Heart Be Brave:

Madrigal by Marques L.A. Garrett (b. 1984)

Loch Lomond arr. by Jonathan Quick (b. 1970)

Reincarnations: The Coolin by Samuel Barber (1910-1981)

Hold Fast to Dreams by Joel Thompson (b. 1988)

My Heart Be Brave by Marques Garrett

Mis en inimene by Pärt Uusberg (b. 1986)

To Sit and Dream by Rosephanye Powell (b. 1962)

Till I Wake arr. by Marques Garrett

Hymne au Soleil by Lili Boulanger (b. 1893-1918)

Sing Out, My Soul by Marques Garrett

Complete SPM season listing:

New American Composer Series

Oct 15, 2022 – 7:30 pm

Seattle First Baptist Church

Featuring composer-in-residence Marques L.A. Garrett

Oct 29, 2022 – 4:00 pm and 7:30 pm

CABARET – Resonance at SOMA Towers, Bellevue

SPM’s greatest cabaret hits

Nov 12, 2022 – 7:30 pm

Seattle First Baptist Church

Featuring composer-in-residence  Melissa Dunphy

Dec 10, 2022 – 3pm and 7:30 pm

Bastyr Chapel, Kenmore

Featuring composer-in-residence Sruthi Rajasekar

Dec 17, 2022 – 7:30 pm

Seattle First Baptist Church

Feb 11, 2023 – 7:30 pm

Seattle First Baptist Church

Featuring composer-in-residence Saunder Choi

March 25, 2023 – 7:30 pm

Seattle First Baptist Church

Featuring composer-in-residence Jerod lmpichchaachaaha’ Tate

Grand Finale Concert

May 20, 2023 – 8pm

St James Cathedral

Mozart’s Great Mass in C minor

Ethel Smyth’s Mass in D

Filed under: choral music, music news, Seattle Pro Musica

Gabriella Smith: Treelogy

I was so taken with Seattle Symphony’s live performance of Tidalwave Kitchen this week that I searched out other upcoming projects by its wonderful young composer Gabriella Smith and discovered this. She’s one of three composers commissioned by the The Soraya/CSUN for its Treelogy project—including Steven Mackey and Billy Childs—to create work in response to California’s devastating wildfires.  The commission was inspired by the New York Times writer John Branch’s 2020 coverage (who just wrote about the disappearing San Francisco fog).

Here’s some info on Treelogy, which will be premiered on 23 February 2023 at the Younes and Soraya Nazarian Center for the Performing Arts on the California State, Northridge campus in Los Angeles County:

Treelogy: A Musical Portrait of California’s Redwood, Sequoia, and Joshua Trees is a celebration and a call to action to save California’s beloved and iconic trees. Inspired by California’s epic wildfires chronicled by The New York Times journalist John Branch, The Soraya’s Executive and Artistic Director, Thor Steingraber, and artist in residence Etienne Gara, have created a musical response to the fires, and a tribute to these precious trees. Renowned composers Billy Childs, Steven Mackey, and Gabriella Smith—all with deep California roots of their own — have each composed original music for this three-part concert. Produced, commissioned, and presented by The Soraya, Treelogy will tour the state bringing scientists, educators, activists, and advocates will come together and bring its inspiring message to campuses across California. This unprecedented multi-disciplinary effort will emphasize the pride of our state and the memories of every family’s national park vacation. 

Filed under: music news, new music

Seattle Symphony Opens Tonight

Music by Angelique Poteat

Seattle Symphony launches its 2022-23 season tonight with a world premiere by local composer Angelique Poteat, some scintillating Chopin, and a Francocentric smorgasbord of delights led by conductor emeritus Ludovic Morlot.

The lineup includes Saint-Saëns’s La muse et le poète for solo violin and cello and orchestra and the 2nd Suite from Ravel’s Daphnis et Chloé, as well as Poteat’s Breathe, Come Together, Embrace and Chopin’s Andante spianato and Grand polonaise brillante, with Jan Lisiecki  as the piano soloist. Lisiecki returns later next week for the first subscription concert to play Grieg’s Piano Concerto. Also led by Morlot, the program (Thurs-Sat, 22-24 September) also includes a new piece by a young American composer — Gabriela Smith’s Tidalwave Kitchen — and Tchaikovsky’s devastating final symphony, the Pathétique.

The performances can also be accessed from home via streaming.

Filed under: music news, Seattle Symphony

Trailblazing Women

Julia Wolfe

Giancarlo Guerrero conducts the Nashville Symphony this week in a program devoted entirely to American women composers, including the world premiere of a major new choral-orchestral commission from Julia Wolfe titled Her Story. My program notes for the concert are available here (link on lower right).

Filed under: commissions, Julia Wolfe, music news, women composers

Dianne Reeves Names Next Rolex Mentor in Music

Last Friday, at a ceremony conducted at the Brooklyn Academy of Music, the Rolex Mentor and Protégé Arts Initiative announced the artists who will take part in the 2023-24 cycle of the initiative. Dianne Reeves will become the next mentor in the music division. She has chosen the South Korean singer and composer Song Yi Jeon as her protégée. 

The other mentors will include Anne Lacaton (Architecture), Jia Zhang-Ke (Film), Bernardine Evaristo (Literature), and El Anatsui (Visual Arts), each of whom will also serve as mentor to an outstanding emerging artist. Their protégé[e]s are, respectively,  Lebanese-Armenian architect, designer and researcher Arine Aprahamian; Filipino filmmaker Rafael Manuel; Senegal-based Ghanaian author Ayesha Harruna Attah; and Capetown, South Africa-based visual artist Bronwyn Katz, whose practice embraces sculpture, installation, video, and performance. 

The five-time Grammy winner Dianne Reeves is considered the pre-eminent jazz vocalist in the world. She is recognized for her breathtaking virtuosity, improvisational prowess, and unique jazz and R&B stylings. Her most recent album, 2014’s Beautiful Life, received the Grammy for Best Jazz Vocal Performance. She became the first Creative Chair for Jazz for the Los Angeles Philharmonic and, in 2018, was named a Jazz Master by the National Endowment for the Arts: the highest honor the U.S. bestows on jazz artists.

Song Yi Jeon is a modern jazz singer and composer from South Korea. She is especially known for her hypnotic voice, which has been likened to a malleable wordless instrument. Jeon studied classical composition at the University of Music and Fine Art in Graz, Austria, and jazz vocals at the Academy of Music in Basel, Switzerland, and Boston’s Berklee College of Music. At Berklee, she was the inaugural Quincy Jones CJ&E fellow and was also awarded the Billboard Endowed Award. Song Yi Jeon released her first album, Movement of Lives, in 2018.

Since 2002, the Rolex Mentor and Protégé Arts Initiative has been connecting extraordinary young artists with acclaimed mentors in different artistic disciplines. The mentors personally select the protégé(e)s with whom they wish to collaborate through an international search. 

The Rolex Mentor and Protégé Arts Initiative was established “to aid in the transmission of artistic knowledge and craft from one generation to the next,” according to the renowned watch designer and manufacturer based in Geneva, and “exemplifies Rolex’s pursuit of excellence, symbolized by the word ‘perpetual’” — which is inscribed on every Rolex Oyster watch. 

The list of mentors who have taken part in the Rolex Mentor and Protégé Arts Initiative to date includes the following: Sir David Adjaye, Margaret Atwood, (the late) John Baldessari, Tahar Ben Jelloun, (the late) Trisha Brown, (the late) Patrice Chéreau, Sir David Chipperfield, Mia Couto, Alfonso Cuarón, (the late) Sir Colin Davis, Anne Teresa De Keersmaeker, Olafur Eliasson, Brian Eno, Hans Magnus Enzensberger, William Forsythe, Stephen Frears, Gilberto Gil, Philip Glass, Alejandro G. Iñárritu, (the late) Sir Peter Hall, David Hockney, Rebecca Horn, Zakir Hussain, Joan Jonas, Sir Anish Kapoor, William Kentridge, Jiří Kylián, Robert Lepage, Lin Hwai-min, Phyllida Lloyd, Spike Lee, Lin-Manuel Miranda, (the late) Toni Morrison, Walter Murch, Ohad Naharin, Mira Nair, Youssou N’Dour, (the late) Jessye Norman, Michael Ondaatje, Crystal Pite, Alexei Ratmansky, Kaija Saariaho, Martin Scorsese, Kazuyo Sejima, Peter Sellars, Álvaro Siza, Wole Soyinka, Julie Taymor, Saburo Teshigawara, Jennifer Tipton, Colm Tóibín, Kate Valk, Mario Vargas Llosa, Carrie Mae Weems, Robert Wilson, Zhang Yimou, Pinchas Zukerman, and Peter Zumthor.

Filed under: music news

San Francisco Opera: Streaming the First Century

Now that San Francisco Opera has officially launched it 100th-anniversary season — with John Adams’s new opera Antony and Cleopatra, which I’ll be covering soon — the company is also celebrating its remarkable history with a curated series of selected historical recordings. Called Streaming the First Century, this new online hub provides free access to selected historic recordings from the SFO’s past century, along with rare artist interviews, archival photographs, program articles, oral history excerpts, and newly captured conversations among past and present San Francisco Opera creative luminaries.

Streaming the First Century sessions are being released for each month from September through December. Each session includes two complete historic recordings, audio excerpts from four additional performances, and introductions to each preserved audio experience by contemporary scholars, artists, and SFO members to add historical context and insights. The selection have been drawn from performances unique to San Francisco Opera and are not available on commercial recordings.

The themes of the 2022–23 season have been used to guide the selections. Session 1: Slavic Sensibilities pays homage to Tchaikovsky’s Eugene Onegin, which returns to the stage later this month (25 September–14 October), by offering an in-depth exploration of the works of Czech and Russian composers through landmark San Francisco Opera performances.

The complete recordings for Session 1: Leoš Janáček’s Jenůfa, from a 1980 broadcast starring Swedish soprano Elisabeth Söderström and Sena Jurinac as the stepmother (San Francisco Opera’s first production of a Czech opera in the original language ); and Dmitri Shostakovich’s Lady Macbeth of Mtsensk, from a 1981 broadcast starring Anja Silja as Katerina Ismailova.

Coming up on 10 October is Session 2: Parlez-vous français? — which will have a French focus, in tandem with the upcoming production of Poulenc’s Dialogues of the Carmelites.

Filed under: music history, music news, San Francisco Opera

RIP Lars Vogt (1970-2022)

Deeply saddened to learn that Lars Vogt has died. The wonderful, deeply humane pianist and conductor had been battling cancer over the past few years — a situation he movingly described in this 2021 interview: “In the last several years, I often had the feeling that time was passing insanely fast. It was so easy to imagine a ‘whoosh,’ and suddenly I’m 80, and the day is done. It’s something that I think a lot of us experience, an accelerando where time keeps flying by more quickly. Before the illness, I was often depressed, even if it was just for a day or two. I’d stay in bed and think: ‘Oh God, I’m so old.’ Funnily, because of the illness that’s completely disappeared. I’m rarely so defeated. More often I’m utterly happy.”

In his most recently released recording, which came out in March, Vogt combined his personalities as pianist and conductor to give sensitive accounts, together with his Orchestre chambre de Paris, of the Mendelssohn piano concertos. Here the artist shares his insights on Mendelssohn, whose music he likens to “fresh, clean water — completely refreshing in every way”:

Filed under: Mendelssohn, music news, pianists

Music on the Strait: 2022 Finale Featuring Paul Chihara Commission

Tonight brings the finale concert of this summer’s Music on the Strait Festival. It features the world premiere of Paul Chihara‘s, Duo for Violin and Viola, which was commissioned by Music on the Strait. The concert begins at 7pm PST, with a pre-concert interview with the composer by Lisa Bergman starting at 6.15.

Long based in New York City, Chihara was born in Seattle in 1938 and spent three formative childhood years in the notorious internment camp in Minidoka, Idaho, where his family was among the 120,000 Japanese Americans forcibly “relocated” at ten camps throughout the US during the Second World War.

Regarding that experience, Chihara remarked in a recent interview with Diane Urbani de la Paz: “I don’t know how my parents emotionally survived this … we could have come back and found nothing.”

A  professor of music at New York University, Chihara has composed a vast body of work, ranging from  symphonies, concertos, ballets, and choral music to chamber pieces; he has also written scores for more than 90 films and TV series (Prince of the City, The Morning After, Crossing DelanceyChina Beach, and Noble House, among many others).

Music on the Strait’s Artistic Directors Richard O’Neill and James Garlick will give the inaugural performance of the new duo Chihara wrote especially for them. The composer explained to de la Paz that the new duo is a “fantasy” on a song he had written 40 years ago for his violinist wife, “Born to Be Together.” Also on the program is Felix Mendelssohn’s D minor Piano Trio and Edward Elgar’s Piano Quintet in A minor.

Although it is sold out, the concert will be live-streamed at the link above.

Musicians:

Kyu-Young Kim, violin
James Garlick, violin
Sæunn Thorsteinsdóttir, cello
Richard O’Neill, viola
George Li, piano

Paul Chihara Duo for Violin and Viola WORLD PREMIERE (2022)

Felix Mendelssohn Piano Trio No 1 in D minor, Op 49 (1839)

INTERMISSION

Edward Elgar Piano Quartet in A minor, Op 84 (1918)

Filed under: commissions, music news, Music on the Strait

Music on the Strait 2022

Music on the Strait 2022 Opening Night: Demarre McGill and Jeremy Denk play Beach and Franck

The 2022 Music on the Strait season began on Friday (see above) with a spotlight on the extraordinary flutist Demarre McGill, who was featured in works by Debussy and Amy Beach in the opening night program. Joining McGill were violinists Elisa Barston and James Garlick (Music on the Strait’s co-artistic director) violist David Auerbach, cellist Efe Baltacıgil, and pianist Jeremy Denk (2022 special guest artist), who will perform César Franck’s Piano Quintet in F minor.

The festival takes place on Washington’s beautiful Olympic Peninsula over two weekends, from 26 August to 3 September:

  • August 26: Opening Night with virtuoso flautist Demarre McGill 
  • August 27: Efe Baltacıgil and Jeremy Denk play Beethoven 
  • August 28: Every Good Boy Does Fine: Jeremy Denk in Recital and Conversation
  • September 2: Shostakovich’s Eighth String Quartet 
  • September 3: Festival Finale: A World Premiere by Paul Chihara

ROSTER OF 2022 ARTISTS:

VIOLIN: Elisa Barston, Kyu-Young Kim, James Garlick 

VIOLA: David Auerbach, Richard O’Neill 

CELLO: Efe Baltacıgil, Sæunn Thorsteinsdóttir

FLUTE: Demarre McGill 

PIANO: Jeremy Denk, George Li 

COMPOSER-IN-RESIDENCE: Paul Chihara

Filed under: chamber music, music news, Music on the Strait

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