Here’s my review for Musical America of the American premiere of Kaija Saariaho’s final opera, Innocence, which was presented by San Francisco Opera this month:
Filed under: Musical America, review, Saariaho, San Francisco Opera
June 24, 2024 • 11:29 am Comments Off on The Pain and Insight of Saariaho’s “Innocence”
The Pain and Insight of Saariaho’s “Innocence”
April 26, 2024 • 11:33 am Comments Off on “El Niño” Arrives at the Met: Fresh and in Full Flower
“El Niño” Arrives at the Met: Fresh and in Full Flower
Adams’s El Niño. Photo: Evan Zimmerman / Met Opera
My Musical America review of the Metropolitan Opera’s new production of John Adams’s El Niño has now been posted:
NEW YORK—At the end of El Niño’s opening chorus, during the transition to the Annunciation scene, the orchestra begins to vibrate in steadily intensifying waves of ecstatic energy—a moment of sonic transfiguration that is one of the signatures of the composer John Adams. …
Filed under: directors, John Adams, Metropolitan Opera, Musical America, review
November 1, 2023 • 11:14 pm Comments Off on New Artist of the Month: Jonas Frølund
New Artist of the Month: Jonas Frølund
I wrote about the young Danish clarinetist Jonas Frølund for Musical America:
The layered musical personality that emerges from Jonas Frølund’s debut portrait album,Solo Alone and More, is cause enough to sit up and take notice. That it consists almost entirely of solo clarinet playing by a newcomer who only completed his training last year (at the Paris Conservatoire) makes the achievement genuinely astonishing….
Filed under: clarinet, Musical America, New Artist of the Month
October 2, 2023 • 1:02 am Comments Off on New Artist of the Month: Stephanie Childress
New Artist of the Month: Stephanie Childress
Congratulations to Stephanie Childress, Musical America’s New Artist of the Month for October 2023. My profile of this remarkable conductor has now been posted on Musical America’s website here.
The good fairies generously allotted the skills required to succeed as a conductor to Stephanie Childress. Or so it occurred to me while recently seeing this 24-year-old phenomenon in action leading a spirited, remarkably poised account of excerpts from Tchaikovsky’s Sleeping Beauty, beginning with “La Fée des lilas.” …
Filed under: conductors, Musical America
August 11, 2023 • 11:29 am Comments Off on Orfeo in Santa Fe
Orfeo in Santa Fe
The first of my reviews from Santa Fe Opera’s 2023 season is open through the weekend (no paywall) here. I discuss Yuval Sharon’s extraordinary new production of L’Orfeo (or Orfeo, as they’re calling it), which features new orchestrations commissioned from Nico Muhly.
My review of Tosca is here (but behind the paywall). More reviews upcoming in Opera Now.
Filed under: directors, Monteverdi, Musical America, Puccini, reviews, Santa Fe Opera
May 1, 2023 • 5:08 pm Comments Off on James Díaz: Musical America’s New Artist of the Month
James Díaz: Musical America’s New Artist of the Month
Congratulations to composer James Díaz, Musical America’s New Artist of the Month for May 2023. My profile:
When he was 14, James Díaz started taking keyboard lessons thanks to the toss of a coin. His parents wanted to have one of their two sons receive training so as to be able to play in the local church. Díaz, born in 1990, would commute every day from his working-class district on the outskirts of Bogotá. …
Filed under: artist profile, composers, Musical America
April 1, 2023 • 11:03 am Comments Off on Sameer Patel: Musical America’s New Artist of the Month
Sameer Patel: Musical America’s New Artist of the Month
I had the pleasure of writing this profile of Sameer Patel, Musical America’s New Artist of the Month for April 2023:
As he describes the career choices that have led to his current position, Sameer Patel refers to a verse from the Bhagavad Gita: “‘It’s better to strive in one’s own dharma than to succeed in the dharma of another’ — in other words, to follow your own virtue or path or journey.”
Filed under: conductors, Musical America
March 1, 2023 • 8:38 am Comments Off on A Thousand Splendid Suns Dawns at Seattle Opera
A Thousand Splendid Suns Dawns at Seattle Opera
Cast members in A Thousand Splendid Suns at Seattle Opera. Photo credit: Sunny Martini
The moving operatic transformation of Khaled Hosseini’s 2007 novel A Thousand Splendid Suns by composer Sheila Silver and librettist Stephen Kitvakos had its world premiere over the weekend at Seattle Opera in a powerful production directed by Roya Sadat. I reviewed the opening night performance for Musical America:
Soon after reading A Thousand Splendid Suns, Sheila Silver sensed that the story’s combination of tragedy and endurance has an archetypal, larger-than-life quality — exactly what opera excels at expressing. It’s a terrible irony that the work’s lengthy genesis has actually made this story of the oppression of women even timelier than when Silver first considered the idea over a decade ago….[see below]
Filed under: Musical America, new opera, review, Seattle Opera
December 1, 2022 • 11:32 am Comments Off on Musical America’s New Artist of the Month: Nina Shekhar
Musical America’s New Artist of the Month: Nina Shekhar
I wrote about the fantastically talented composer Nina Shekhar for this month’s Musical America column:
Questions involving identity have fascinated Nina Shekhar since she can remember. Coming of age as a first-generation Indian American has meant learning to navigate different cultural expectations not only in her personal life but also in her priorities as an artist. “A lot of my work is identity driven,” the composer explained in a recent conversation via Zoom. “Music was always a way of understanding my relationship to myself and to my environment.”
Filed under: composers, Musical America
November 1, 2022 • 8:53 am 1
Zlatomir Fung: Musical America’s New Artist of the Month
Congratulations to cellist Zlatomir Fung, Musica; America’s New Artist focus for November. I had the pleasure of hearing his New York Philharmonic debut last summer at the Bravo! Vail Festival. Here’s my profile:
Competing with nature’s own surround-sound orchestra, open-air performances aren’t the optimal context in which a soloist can shine. But Zlatomir Fung kept me riveted at this past summer’s Bravo! Vail Festival, eager not to miss a single nuance from the moment…
Filed under: artist profile, cellists, Musical America
MEMETERIA 