Filed under: photography
August 20, 2016 • 11:03 pm Comments Off on Unterwegs im Kiez
Unterwegs im Kiez
Filed under: Berlin, photography
August 18, 2016 • 11:33 pm Comments Off on Wagner’s Swiss Grandson
Wagner’s Swiss Grandson
The Richard Wagner Museum is located just outside Lucerne in the Tribschen villa where the composer lived in the years just before settling in Bayreuth.
This summer’s special exhibition focuses on the little-known figure Franz Wilhelm Beidler (1901-1981). From the museum’s description:
Franz Wilhelm Beidler was the son of Isolde, the first daughter of Richard Wagner and Cosima, who was still married to Hans von Bülow at the time.
For 16 years Franz Wilhelm Beidler grew up in the knowledge that he was Richard Wagner’s first and only grandchild. The paternity suit filed by Isolde in 1914 in order to be recognised as Richard Wagner’s daughter culminated in a public fiasco and an insurmountable family dispute. Franz Wilhem Beidler dissociated himself from the Wagner family, moved to Berlin and married the Jewish woman Ellen Gottschalk in 1923.Beidler supported the Socialist movements of the Weimar Republic and unequivocally rejected National Socialism. Subsequent to Hitler’s assumption of power, the Beidlers emigrated to Paris before being able to take up residence in Switzerland. In 1943 Beidler was elected general secretary of the Swiss Writers’ Association (SSV) and held the position for 29 years.
The Beidler family was ousted and suppressed by the Wagner dynasty for many years. Featured in the exhibition are the reasons, background information and course of events in the “Beidler Affair,” which included Richard Wagner’s personal involvement and is also closely connected with the history of the Bayreuth Festival. The exhibition also aims to rehabilitate and pay befitting tribute at long last to the Beidler family, whose descendants live in Switzerland.
Filed under: Wagner
August 14, 2016 • 12:57 am Comments Off on Chailly in Lucerne
Chailly in Lucerne
Swiss Radio and Television has now posted the opening concert of Riccardo Chailly’s debut with the Lucerne Festival Orchestra.
Chailly opened the 2016 Summer Festival on 12 August with a rousing performance of Mahler’s Eighth Symphony: the one work missing from the late Claudio Abbado’s otherwise complete Mahler cycle with his beloved LFO.
The broadcast also includes a 10-minute portrait of the conductor with interviews by way of a prelude.
Christian Wildhagen, an expert on the Eighth (he wrote a dissertation about the work), covered Chailly’s interpretation for the Neue Zürcher Zeitung:
Chailly, der aus früheren Aufführungen so umfassende praktische Erfahrungen mit dem Stück hat wie kaum ein anderer Dirigent, erkennt das Problem und versucht zu dämpfen, wo immer es geht. Doch prompt verheddert er sich in dem Paradox, das er selbst so trefflich mit den Worten umschrieben hat, man müsse mit dieser Musik fliegen und doch mit beiden Beinen kontrolliert auf dem Podium stehen. Die Kontrolle des gewaltigen Apparats gelingt bereits mehr als achtbar, das Fliegen hingegen nicht.
[…]
Chailly deutet diese Vertonung der Schlussszene aus Goethes «Faust» völlig zu Recht als sakrale Oper – angesiedelt auf einer rein imaginären Theaterbühne, aber mit halbszenischen Momenten wie der Erscheinung der Mater Gloriosa (Anna Lucia Richter mit etwas zu irdischem Tonansatz in der Höhe) auf der Orgelempore, wo am Schluss beider Teile auch jeweils das Fernorchester seinen «Auftritt» hat.
Filed under: Lucerne Festival, Mahler
August 10, 2016 • 5:06 am Comments Off on More Dutilleux
More Dutilleux
Prom 32 this week featured Esa-Pekka Salonen conducting the Philharmonia Orchestra in Schoenberg’s A Survivor from Warsaw, Mahler 1, and Dutilleux’s The Shadows of Time (one of his last works). The concert is still accessible to hear online for a few more days here.
Meanwhile, Daniel Stephen Johnson reports on the Seattle Symphony’s latest addition to its acclaimed Dutilleux series under conductor Ludovic Morlot:
While the orchestral playing is as ravishing as listeners have come to expect from Morlot and Seattle, the soloists brought in from outside the band are among the very hottest players on their respective instruments. The playing of violinist Augustin Hadelich, fresh from his Grammy win for last year’s entry in this Dutilleux cycle, is as intensely expressive in Sur le même accord as it is precise, while harpsichordist Mahan Esfahani executes Les citations with his characteristic wit and panache, and the cimbalom playing of percussionist Chester Englander lends an unexpected delight to Mystère de l’instant.
And my own recent profile of Hadelich for Strings Magazine is available here. September’s Gramophone will have my story on the Seattle Symphony and Dutilleux.
Filed under: Henri Dutilleux, Ludovic Morlot, Salonen, Seattle Symphony
August 9, 2016 • 9:53 am Comments Off on Shimmering Color and Incandescence
Shimmering Color and Incandescence
UPDATE:
Here’s the link to the complete piece.
My profile of violinist Augustin Hadelich and his Grammy Award-winning interpretation of Henri Dutilleux with the Seattle Symphony and Ludovic Morlot will appear in the August 2016 issue of Strings magazine. A brief sample:
Augustin Hadelich just missed being in Los Angeles to receive his first-ever Grammy Award. He had even traveled to LA for a chamber concert the day before the ceremony but was already en route to his next engagement — with the Bournemouth Symphony Orchestra in Poole on England’s coast — when congratulations for winning the Grammy Award for Best Classical Instrumental Solo starting pouring in via social media.
Filed under: Henri Dutilleux, profile, violinists
August 6, 2016 • 12:01 am Comments Off on RIP Einojuhani Rautavaara
RIP Einojuhani Rautavaara
“Devastated by the passing of Einojuhani Rautavaara [1928-2016], great original voice in Finnish music. Also my first composition teacher and friend,” Esa-Pekka Salonen posted on Facebook at the news of the Finnish master’s death.
From The Guardian‘s obituary:
A prolific composer, he wrote eight symphonies, nine operas, 12 instrumental (and one choral) concertos, plus a wide variety of orchestral, chamber, instrumental, choral and vocal works. He was also a highly perceptive writer on music and a teacher: many Finnish composers who have enjoyed international success were his pupils, including Paavo Heininen and Kalevi Aho.
Filed under: Einojuhani Rautavaara, music news, Salonen
MEMETERIA by Thomas May 