MEMETERIA by Thomas May

Music & the Arts

Philomel

An appetizer for Juilliard’s upcoming Focus! festival:
Milton Babbitt’s World: A Centennial Celebration

Filed under: Juilliard, modernism

RIP Pierre Boulez (1925-2016)

The end of an era. From Lucerne Festival director Michael Haefliger’s eulogy :

“I am a French composer, conductor, and writer.” Most likely, this is the answer Pierre Boulez would have given anyone who asked him to describe his work as an artist: an answer that is precise, to the point, without ostentation or any kind of theatrical posing. This is how most of us “youngsters” experienced, felt, and saw Pierre Boulez. And this is how he became a great model for us, indeed, almost a “demigod.” We admired what he did and the goals which he steadfastly pursued, regardless of whether they involved relatively small or large revolutions. Last night, he left us. We mourn the loss of a great human being and artist, one who infinitely enriched and influenced this Festival.

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Filed under: Lucerne Festival, obituary, Pierre Boulez

Scrolling Well-Tempered Clavier Book I

Played by Kenneth Gilbert on harpsichord with scrolling score:

Played on piano by Samuel Feinberg with scrolling score:

Filed under: Bach

Poem for the New Year

Filed under: poetry

Guten Rutsch!

For my non-German-speaking friends, here’s a quickie intro to this NYE idiom: “In English, the phrase would be ‘Happy New Year,’ but Guten Rutsch literally translates to ‘Good jump’ or ‘Good slide.'”

I suppose a leap of faith always is involved in trying to brush aside the bad memories of a year just passed and to greet the new one as a “blank slate.”

On the other hand, the nostalgic tendency to think about old friends, old times, is a quintessential part of the New Year’s experience. Here’s Matthew Iglesias on the connection between Robert Burns’s beloved “Auld Lang Syne” and NYE:

The speaker is asking whether old friends should be forgotten, as a way of stating that obviously one should not forget one’s old friends. The version of the song we sing today is based on a poem published by Robert Burns, which he attributed to “an old man’s singing,” noting that it was a traditional Scottish song

[…]

One reason a random Scottish folk song has come to be synonymous with the new year is that New Year’s celebrations (known as Hogmanay) loom unusually large in Scottish folk culture … Presbyterianism put down deeper roots in Scotland, leading Hogmanay to displace Christmas as the number one midwinter celebration.

[…]

An 18th-century Scottish ballad … became a midcentury American television ritual, and from there became a worldwide phenomenon — even though almost nobody understands the song.

 

 

Filed under: miscellaneous, poetry

Top 10 Classical Releases of 2015

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For Rhapsody subscribers: along with the Top 10 Classical Discoveries of 2015, here’s a repertory-focused list of picks for the Top 10 Classical Releases of 2015.

Epic orchestral panoramas, intimate meditations from the keyboard, exquisite singing: all of these and more are captured on this year-end overview of classical music releases across the centuries — including music being written today by the noted young American composer Andrew Norman.

Along with a thrilling account by star conductor Andris Nelsons of Shostakovich’s Tenth Symphony, a 20th-century masterpiece, the list includes the Miró Quartet’s transcendent performance of chamber music by Schubert, reclusive pianist Grigory Sokolov communing with Chopin, the gorgeous vocalism of soprano Diana Damrau, and a seldom-heard opera by a Baroque polymath.

Christoph Eschenbach conducts Olivier Messiaen’s massive orchestral homage to the natural beauty of the American landscape. Another gem released in 2015 is the early-music ensemble Alamire’s collection of music favored by Anne Boleyn, the doomed Tudor queen. Another Russian piano great, Daniil Trifonov, brings his astonishing touch to Rachmaninoff. And French pianist Alexandre Tharaud explores the inexhaustible riches of J.S. Bach.

Filed under: music news

Top 10 Classical Discoveries of 2015

Thomas May's avatarMEMETERIA by Thomas May

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Reposting this with list and accompanying blog post.

My list for the Rhapsody service:

Top 10 Classical Discoveries of 2015

Best of 2015: Top 10 Classical Discoveries

Forget about dead white guys for the moment: Classical music isn’t just what was written centuries ago, and it’s definitely not all in the past. Let’s pay tribute to the creative imagination of composers at work today — all of them are very much alive and pushing the boundaries of musical expression.

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Filed under: music news

Bach’s Christmas Oratorio

Filed under: Bach, Christmas

In Sweet Jubilation: Festive Holiday Music

A new essay for LA Master Chorale’s recent holiday program:

Senex puerum portabat/Puer autem senem regebat: “The old man held up the boy, but the boy upheld the old man.” Set to unforgettable music by the likes of William Byrd and Palestrina, this text comes from an antiphon marking the Feast of the Presentation of Jesus at the Temple: an old man (the “righteous and devout” Simeon) greets the Holy Family in the Temple 40 days after the birth of Jesus and rejoices in proclaiming the significance of the newborn.

 

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Filed under: choral music

Mozart’s Serenata

Il re pastore is being featured at the Lucerne Easter Festival in 2016:

Filed under: Lucerne Festival, Mozart

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