MEMETERIA by Thomas May

Music & the Arts

Igor Levit Is the 2018 Gilmore Artist

Igor Levit

Congratulations to Igor Levit for winning the 2018 Gilmore Artist Award, a distinction conferred to recognize “extraordinary piano artistry with some of the most generous financial support given in the musical arts. The $300,000 award is conferred every four years to an international pianist of any age and nationality following a rigorous and confidential selection process.”

The Gilmore Artist Award “is made through a non-competitive process. Pianists are nominated by a large and diverse group of international music professionals.” Past recipients include Rafał Blechacz (2014), Kirill Gerstein (2010), Ingrid Fliter (2006), Piotr Anderszewski (2002), Leif Ove Andsnes (1998), Ralf Gothóni (1994), and David Owen Norris (1991).

I met Levit when the Republican presidential primaries were still in progress and the idea of Donald Trump winning the election seemed absurd, but even then I recall his very serious concern about the awful possibility. As Michael Cooper puts it in this first-rate New York Times profile, Levit “has stood out by emerging as the de facto pianist of the resistance.”

My profile of Levit for Steinway & Sons from 2016:

It’s early February, over lunch before his Seattle debut later in the evening, and Igor Levit can’t stop talking about how thrilled he is to be touring the United States.”

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Filed under: music news, pianists

1st of the Year

IMG_0016

Filed under: photography

Music for a New Year

Also for New Year’s:
https://www.swr.de/swr2/programm/sendungen/konzerte/31/-/id=659392/did=20775768/nid=659392/1rypgzr/index.html
Joseph Haydn:
“Die Schöpfung”, Oratorium Hob. XXI:2
(Zeitversetzte Übertragung aus dem Konzerthaus Freiburg)

Filed under: Bartók, miscellaneous

Vaughan Williams Five

Immersed in Vaughan Williams’ Symphony No. 5 — and don’t want to leave it.

Filed under: Vaughan Williams

Cellist Jan Vogler and His Trio Venture into “New Worlds” with Bill Murray

Thomas May's avatarMEMETERIA by Thomas May

Mira-WangBill-Murray-Jan-Vogler-New-Worlds-Tour-Photo-by-WP-Photography-Taken-at-Napa-Valley-Festival-August-2017My latest for Strings magazine (October issue):

Chamber music is all about knowing how to forge close partnerships. For the world-renowned cellist Jan Vogler, that instinct includes connecting to artists beyond the classical-music sphere. But he didn’t expect a serendipitous encounter with Bill Murray to lead to one of the most innovative projects he has ever undertaken.

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Filed under: Uncategorized

Beethoven at 247

For Beethoven’s (conventionally celebrated) birthday, listening to one of my favorites:

Filed under: Beethoven

John Adams, with Strings Attached

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John Adams. Photo by Margaretta Mitchell

My new John Adams profile for Strings is now available online:

In the contemporary music world, writing opera tends to generate the sexiest headlines and, at least temporarily, to garner more widespread attention….

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Filed under: John Adams, profile, Strings

Conrad Tao: Leaving the Comfort Zone

Conrad Tao is performing Thursday night with the Berkeley Symphony.

Thomas May's avatarMEMETERIA by Thomas May

My new profile of pianist and composer Conrad Tao for Steinway  is now online:

HIS NAME HASN’T changed, but mentally splicing the twenty-three-year-old Conrad Tao with the child prodigy who first came before the general public more than a decade ago is likely to make you do a double take.

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Filed under: Uncategorized

Seth Parker Woods Comes to Seattle

Here’s a recital debut I’m especially looking forward to: Seth Parker Woods at the Performance Chapel. My Seattle Times story on this remarkable cellist.

Performances by Chicago-based cellist Seth Parker Woods are not only ear-opening: They expand your perceptions of his instrument’s identity itself.

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Filed under: cello, new music, Seattle Times, Seth Parker Woods

An Unfinished “Phantom Opera” Is Completed with Love

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Pauline Oliveros; photo by Allan J. Cronin

Remembering the great Pauline Oliveros, one year after her death: my New York Times story on The Nubian Word for Flowers:

Pauline Oliveros, the beloved composer who died last November, spent her long career experimenting — with improvisation, with technologically enhanced sound design and with “deep listening,” her term for a kind of heightened, mindful perception of sound.

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Filed under: new opera, New York Times

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