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Arts writing by Thomas May

Fascinating Rhythms: New Music from Anna Clyne and Classics by Gershwin and Beethoven Make a Stimulating Mix at the Seattle Symphony

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Anna Clyne

Not even half over, 2016 has been an unusually painful year, not least for the losses we’ve sustained in the arts. Yet the Seattle Symphony’s final program of the subscription season conveyed abundant reason for optimism, at least as far as the creative spirit goes.

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Filed under: Beethoven, review, Seattle Symphony

Courageous Women, Transcendent Visions

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soprano Julia Bullock

My feature on this year’s Ojai at Berkeley Festival curated by Peter Sellars has now been posted:

This year’s Ojai at Berkeley festival focuses on the artistry and impact of powerful, visionary women—not only as creators and performers but as the subjects of the artworks themselves.

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Filed under: Ojai Festival, Peter Sellars, Saariaho

The Other Mahler

Working on a piece on Alma Mahler’s songs. Nice playlist here:

Filed under: Alma Mahler, women composers

Anna Clyne

Getting ready for this week’s U.S. premiere of Anna Clyne’s The Midnight Hour by the Seattle Symphony, which I’ll be covering later in the week.

Filed under: new music, Seattle Symphony

Yannick Nézet-Séguin to the Met

The Met announced today that Yannick Nézet-Séguin will replace James Levine as new Music Director.
Live stream on the news from the Met at 10:00 am EST.

Filed under: Metropolitan Opera, music news

Pairing Masterpieces by Shostakovich and Stravinsky

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Here’s my new story for the Seattle Times on this week’s upcoming Seattle Symphony program:

On Jan. 28, 1936, Dmitri Shostakovich woke up to read a sternly worded condemnation of his music in the official Soviet newspaper, Pravda.

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Filed under: Seattle Symphony, Seattle Times, Shostakovich, Stravinsky

A Getty Vista

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Filed under: photography

Piatigorsky International Cello Festival

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Narek Hakhnazaryan in recital; photo by Daniel Anderson

Here’s my report for Musical America on the recently concluded second edition of the Piatigorsky International Cello Festival held in Los Angeles (behind a paywall):

LOS ANGELES—“Of all the titles applied to me, I like ‘teacher’ best of all,” the cellist Gregor Piatigorsky once said. And of the many angles that might be used to describe the festival devoted to his instrument and named in his honor, the most salient is a passion for sharing knowledge — not just musical knowledge, but the wisdom gathered from a life devoted to performance. More than anything else, the Piatigorsky International Cello Festival, which took place in Los Angeles between May 13 and 22, became an ode to omnivorous curiosity as the lifeblood of genuine musicianship.

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Filed under: cello, essay, Musical America, review

Happy 75th, Bob Dylan

Filed under: Bob Dylan

Opera Thrillers and Chillers

After recently covering a  powerful Flying Dutchman production and the world premiere of The Shining, a new opera by Paul Moravec and Mark Campbell based on the Stephen King novel, I decided to look a little more into the intersection of opera and ghost stories.

Here’s my new piece for Rhapsody. It’s a fascinating but enormous topic. I focused on the early German Romantic lineage, without even broaching the enormous popularity of Walter Scott-inspired Gothic opera (Lucia, etc.). Debussy’s Poe fixation, early Strauss/Hofmannsthal, Expressionism and other Modernist strains, and later manifestations are other topics I didn’t have space for here.

The Shining and Other Opera Thrillers and Chillers

Perched in the Colorado Rockies in the dead of winter, the Overlook Hotel is the setting for Stephen King’s 1977 breakthrough novel The Shining. It is during the off season at the vast resort that King’s fictional aspiring writer, Jack Torrance, takes up residence with his wife and son. He hopes to work on his latest opus in the peace and quiet, with minimal responsibilities as caretaker of the presumably emptied-out hotel to distract him.

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Filed under: essay, new opera, Rhapsody

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