MEMETERIA by Thomas May

Music & the Arts

Shedding Light on Dark Sisters

dark_sisters_1
l to r: Melanie Krueger (Eliza), Eve-Lyn de la Haye (Zina), and Heather Pawsey (Presendia) Credit: (c) Tim Matheson

 

A new review for Musical America, in which I write about Vancouver Opera’s current production — the Canadian premiere — of the chamber opera Dark Sisters. (Content is behind a paywall.)

VANCOUVER, BC — Dark Sisters is the final new work Vancouver Opera will have presented before Canada’s second-largest opera company shifts from the full-season model currently underway to a festival one (in the spring of 2017).

This chamber opera by Nico Muhly and librettist Stephen Karam was first seen in New York in a 2011 production by the late lamented Gotham Chamber Opera and then at co-commissioner Opera Philadelphia in 2012, where a chorus of praise replaced the rather tepid initial reception

continue reading

Filed under: new opera, Nico Muhly, review

RIP Heinz Fricke

Fricke_63169Heinz Fricke (1927-2015), who died on 7 December, was a remarkable musician who lived a remarkable life that brought him, after years behind the Iron Curtain in East Berlin, to the capital city of the capitalist superpower.

I was incredibly fortunate to get to know him during his early years at Washington National Opera. In fact Mr. Fricke became the first conductor I met and observed close up. Here’s one of my earliest pieces for the Washington Post, a profile of Heinz Fricke from 1997:

THE BRIGHT LIGHT IN DOMINGO’S SHADOW

Well into its first season with the world-renowned tenor as artistic director, the Washington Opera has been abuzz with talk of its ambitious vision for the future. That includes next season’s expansion to eight productions and the selection of a world-famous architectural firm to convert the historic downtown Woodward & Lothrop building into the opera’s new Valhalla.

continue reading

Filed under: conductors, music news

After Ebola: Bringing Hope to Life

gus-denhardt
Gus Denhard

recent report in Foreign Policy described the dire ongoing effects of West Africa’s Ebola crisis on the survivors. More than 16,000 children have been left without food or shelter.

As they did last year, Seattle’s Early Music Guild is presenting a benefit concert this Saturday, December 12, at 3 pm. Titled After Ebola: Bringing Hope to Life, this family-friendly benefit performance will feature the Trio Guadalevín: Abel Rocha (harp, guitars, vocals), Antonio Gomez (percussion), and EMG Executive Director August Denhard (lutes and guitar).

The benefit will raise money for Liberian Transcontinental Christian Ministries of Kent’s program to provide housing, food, clothing, and education for children who have been orphaned as a result of the recent Ebola crisis.

Trio Guadalevín takes its name from the ancient river and gorge that divides the city of Rhonda in Andalusia. Denhard says the aim of the concert, in addition to benefiting these efforts, is to bring people together with a program “reminding us of cultural connections we share as we face the challenges before us.”

Tickets — available here — are $10 for adults (18 and older) and $5 for children and seniors over 65, plus a service fee. The benefit will take place on Sat., December 12, at 3 pm at the Carco Theatre, 1717 Southeast Maple Valley Highway, Renton, WA.

Filed under: music news

Happy 150th, Jean Sibelius!

Fittingly, in December:

Filed under: Sibelius

2016 Grammy Nominees in Classical

855404005072_SSM1007_Dutilleux_iTunes

Here’s the complete list (including a release from the Seattle Symphony’s Dutilleux project):

2016 Grammy Nominees in Classical categories

Filed under: music news, Seattle Symphony

Ricordi’s Meyerbeer Edition

Filed under: Meyerbeer, opera

Sea Drama

IMG_3842

Filed under: photography

On the Agenda

Nico Muhly’s Dark Sisters, at Vancouver Opera:

Filed under: new opera, Nico Muhly

New Artist of the Month: Director James Darrah

James+Darrah

Finding a suitable label to encompass James Darrah’s artistic practice is not easy. He has directed operas in more or less conventional spaces, yet this represents only one sliver of his work. You’re also likely to experience Darrah’s art in the concert hall. Indeed, seeing the multimedia staging of Beethoven’s Missa Solemnis this past June by the San Francisco Symphony and Michael Tilson Thomas brought me one of the year’s most lasting revelations.

continue reading

Filed under: directors, music news

The Dying Light

IMG_3811 2

Filed under: photography

Archive

Enter your email address to follow this blog and receive notifications of new posts by email.